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Sunday, May 20, 2007

Visualization Techniques for the Pianist

Controlling the mental images of the head through mental image projection have proven valuable not only for psychotherapy, but also as a acquisition aid. Visual Image can have got as much impact on the subconscious, memory, and full organic structure as a "real" experience.

For example, it is sometimes more than expeditious to memorise a song by reading and thinking it through than it is to play it. Some instrumentalists like to work on a hard transition by visualizing themselves playing it with perfect executing and technique. When visualizing, energy is channeled and concentration is pinpointed. The mind, and sometimes even the musculuses will respond and larn as if the music was actually being played.

I'm not suggesting you sell your instrument and pass all of your time meditating, but visual image is a agency to very fast results.

Having negative ideas or feelings about ourselves bring forths negative results. This is true even when we are unaware of the ideas and feelings we are having. The first measure for visualizing is to go aware of how you "program" yourself, that is what you "tell yourself," about your musical abilities and the manner you play. The adjacent measure is to larn how visual image works. You can set it to work for you as a enormous assistance for learning, playing, or anything you choose.

The imaginativeness is one of the chief lights-out of our subconscious. The subconscious is the controlling military unit behind creativity. We are all in a never ending procedure of creating. (One cat I cognize have 11 kids.) We are creating our perceptual experience of life, creating our felicity or wretchedness or whatever we choose. The more than than control we have got over our originative resources, the better our music and more fulfilling our lives will be.

We can acquire the originative wheels turning, by restful and changing our state of mind. Deep external respiration (also known as diaphramic breathing) the foundation of vocalizing is commonly used instrumentalists before playing and before going on stage. It relaxes the full organic structure and decelerates down the encephalon waves, which lets for clearer thinking. Uncontrolled nervousness (as any vocalist knows) are a hindrance, especially to improvisation and songwriting, where a relaxed "letting go" mental attitude is necessary.

The ground that some years you're hot and some you're not is your changing framework of mind. A small head control do for a more than than consistent player and more rapid improvement.

Copyright 2005 raw Productions


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