My Black jack code

Being a famous person intends dealing with fan demands for autographs, ranging from polite and appropriate to ill-mannered and overbearing. One time Katherine Katharine Hepburn was performing on Great White Way and tried to go out backstage through a crowd of jostling autograph hounds. Bodyguards helped her to her limousine and once safely inside the very private star rolled down the window and shouted," Run mutton down! We'll make clean up the blood later!" The crowd scattered and the limousine sped away, pausing long adequate for Katharine Hepburn to revolve down the window and moving ridge adieu to her fans, accompanied by an wicked laugh. Strangely enough, when she lived in Beverly Hills the privacy loving Katharine Hepburn developed the wont of sneaking into her neighbor's houses as a hobby. She became expert at climbing trees, avoiding dismays and dogs, and telling herself just before her nervous neighbours called the police.

Walt Walt Disney had the unusual experience in the 1930s of having his name celebrated around the world when his face was not. Often he would bury his designation and that concerted with his insouciant garb sometimes kept him out of fancy restaurants. Later in the 50's he became a recognized figure because of his telecasting hosting duties. The deficiency of namelessness made it increasingly hard for him to walk through Disneyland without being badgered for autographs. Walt Disney struggled not to be brusque while explaining he didn't have got time, he was trying to do the parkland a better place. In the 60's when the company was trying to buy Sunshine State fen for a 2nd amusement park, he was warned by his advisers to remain away from the state, the existent estate terms would travel up once the personal identity of the purchaser was known. But Walt Disney couldn't resist. Eating in a Orlando diner Walt was approached by a funny waitress,"Pardon me. Aren't you Walt Disney?" Walt who was known for being brutally honest, replied," Perdition no! And if I see that sob, I'll give him a piece of my mind."

Stars making movies at Universal Joint Studios often seek to avoid tour guides leading autograph hounds. One peculiar chap became imaginative at tracking down Michael Caine, who toyed with the thought of having the immature adult male fired, then decided, "What the hell, I'll just sign" and was gracious. It turned out to be a good move, the tour guide was Microphone Ovitz who later became the most powerful endowment agent in Hollywood.

When stardom is new, autograph sign language can be a thrill. One nighttime in City Of Light the 60 twelvemonth old Cary Grant and 25 twelvemonth old Sophia Sophia Loren wished to travel out to dinner. "But the people will come up up to us. I can't stand up it!" said the jaded Briton. "I love it," said Sophia. When they left their hotel Grant complete with his chapeau pulled down,dark glasses, his scarf wrapped around his face, and his immense greatcoat looked like the Invisible Man. Sophia looked like Sophia. As they walked the streets of City Of Light people began to come up up to her for autographs which she joyfully signed. After a few fan brushes Grant began to acquire jealous. Down came the hat, off came the glasses, the coat and the scarf and soon he was standing under Ne visible lights to acquire noticed.

Another English histrion named Grant was thrilled by his jailbreak stardom owed to the film Four Weddings And A Funeral (1994). Hugh Grant would drive around New House Of York looking for theatres where the movie was playing then acquire out and wait in line, happy for the attending and to subscribe autographs. Later when he was arrested in Los Angeles for hiring cocotte Godhead Brown, he turned down petitions to set his signature on yellow journalisms containing his mugful shot.

Some histrions just subscribe despite their annoyance. One time Matthew Arnold Schwarzenegger was being interviewed at a fourth estate junket when a newsman asked him for an autograph for his mother, a large no-no. The star grimaced and said,"Of course. I wouldn't desire to let down your mother." He paused then added," I'm sure you have got disappointed her adequate already."

Autographs can do internal struggles for stars who take themselves too seriously. During the making of Klute (1971) Donald Joan Sutherland received a written petition from a fan who wished for an autograph for his daughter. Joan Sutherland showed the missive to his humorless girlfriend Jane Jane Fonda who expressed a strong sentiment that he should not subscribe it, autographs connote that film histrions are somehow superior to others. Joan Sutherland bowed to her doctrine and wrote a missive stating his grounds for refusing the request. The adult male wrote him back,"Dear Mr. Sutherland, give thanks you for your letter. We believe you are full of it but we ripped off the signature and gave it to our daughter."

Playing by ear is the ability to play a piece of music (or, eventually, larn an instrument) by simply listening to it repeatedly. The bulk of self-taught instrumentalists began their instruction this way; they picked up their instrument and began playing an easy tune from a well-known song, slowly picking out the short letters as they went along. And even after these instrumentalists maestro their instruments or a peculiar song, playing by ear still plays a big role. Many dad and stone sets don't play or compose their songs based on sheet music, they calculate the songs out by playing by ear. It's level common among non-musicians. Ever sit down down a pianoforte and mindlessly pick out the melody to "Mary Had a Little Lamb"? What about grabbing a guitar and suddenly finding yourself playing the gap salt licks to "Smoke on the Water"? That's playing by ear. You're able to play portion of the song just because you've heard it so often.

Since music is basically composed of 3 elements – melody, rhythm, and harmony, it is logical that there are also 3 basic stairway to learning to play music by ear:

1. Charting the contour of the melody. Tunes move higher and less – up and down – as the song progresses. Being aware of that motion is the first step. Once you mentally define the parametric quantities of the melody, you can then get to hone in on picking it out on your instrument. As an example, believe of “Joy To The World”. We’ve all sung it a zillion times, but have got you ever noticed that the tune travels down exactly 8 stairway (an octave), then gradually moves back up in increments, then reiterates the down movement, etc. The full tune is contained within those 8 notes, so you now cognize the parametric quantities of the song and can get to pick out the tune intelligently.

2. Harmonizing the tune with matching chords. The 2nd component of music is harmony, and you can harmonize any tune just by matching the encouraging chords to that melody. For example, if the tune is a “G”, you can harmonize that tune by using a chord with Gram in it, such as as the Gram chord (G, B, D), the Degree Centigrade chord (C, E, G), or the Em chord (E, G, B), or the Eb chord (Eb, G, Bb) and so forth. By using your ear to guide you, you can larn to harmonize the tune of most any song using matching chords.

3. Using an appropriate beat that lucifers the feel of the song. This is usually the easiest part, since most people “feel” the beat and don’t have got to make any mental gymnastics to come up up with an appropriate beat for a song. But for those of us that mightiness be “rhythmically challenged”, just by knowing that there are basically two metres available – duple metre and ternary metre -- that tin be combined in infinite combinations, we can give the song either a “3” feeling (like a waltz or a wind waltz) or a “4” feeling (like swing or a March or a ballad).

Playing by ear is a valuable technique for many musicians; learning songs based solely on hearing them is a great manner to understand song and chord structure. In fact, a great figure of stone and dad instrumentalists learned to play their instruments this way. Instead of picking up a book or taking lessons, they concentrated on figuring out the short letters and beats to a song until it was mastered. Then they moved on to another song. And another. Gradually, they learned their instrument just by playing by ear -- and in the procedure learned how to effectively construction a song in that peculiar genre. Playing by ear is also good in helping a instrumentalist develop his or her ain style; sure, they'll at first mime the style of the song they're imitating, but the merger of the music that they're playing by ear will assist them make something distinctive, something declarative of them only.

Why make pattern on your guitar?

I think you trust that you will larn to be a better musician with the joyousness that follows. However, there are many acquisition procedures going on at the same time when you pattern on your instrument. After reading this article I trust you will be more than than aware of factors that tin bounds your advancement as an musician and have got more effectual pattern Sessions on your guitar.

What have feelings to make with your guitar practice?

At times when you pattern on your guitar you might happen that you are nervous and don’t experience too good when playing because
you experience forced to play owed to a guitar lesson coming up and you feel that you haven’t done your prep or maybe other
negative feelings are present for some reason. The feelings we have got got when we pattern a certain piece of music have a inclination
to be evoked anew when we play the piece at another occasion.

Can latent hostilities lodge to your sheet music

Yes, in a manner at least. My experience, also confirmed when reading about this topic, is that your existent latent hostility degree when playing a peculiar musical composition also be givens to be present when you play the same piece of music in public. Or rather, it will be harder to execute a piece of music in a relaxed mode when you have got practiced it without paying attending to your latent hostilities or rather not having tried to play in a relaxed manner.

Can you larn not to play a piece of music?

You pattern on your guitar in order to go a better player and maybe to larn a piece of music that you like. My experience is that if you don’t dressed ore on your guitar playing you can do a batch of errors when trying to larn a
piece of music. These errors be given to decelerate down the acquisition procedure or rather the volition be a portion of the acquisition process,
which intends the more than times you do errors playing a peculiar transition the harder it will be to play it right because of those earlier errors trying to acquire your attention.

How to utilize these rules to your advantage

In conformity with the before mentioned dangers when practicing I believe it is wise to always pattern a new piece of music slowly so that you can pay attending to your latent hostility degree and right position when playing on your guitar. Another ground
for playing slowly is to be able pattern a guitar piece without errors if possible in order to maximise the benefits of your guitar pattern sessions.

Drug dealer. Such a profound term. One who covers in drugs. Not only the selling, but often the trading, using, and producing. It's not just some homeless person cat on the side of the route trying to sell cleft for some drug lord, just so he can have got a place to sleep. Nowadays, it's some 17 twelvemonth old punk, carrying a book of acid and a lb of weed, all wrapped up in Sn foil and plastic, and at home, his bathing tub is full of sugar, water, 50 mashed organges, and 10 packages of yeast. Ask him about it and he'll say, "Technically, it's calm alive when I imbibe it, but I just pour more than H2O in there when it starts to run low, and it's wish a Jesus: turning H2O to wine, just on a slower and less tasteful method." He'll have got a repetoir of legal and illegal highs, ways to dodge prosecution or apprehension when police force inquire. "What? You establish a methamphetamine pipe? Oh, my god... Are you serious? That's what he was doing. Oh, man. My friend was with my bag. That dunce must have got set it there." Five hours detainment while your organic structure is dehydrating from the speed, and then you're a free man. Everyday was walking on a tightrope of the law. In a pill or a bag, I am holding a piece of Heaven that lasts 8 hours. One day, I do $170, the 2nd day, I hop two fencings after making a $20. We're life on the peripheries of poorness in the ghetto, struggling to do a living. I think I supply a rather of import industry. I assist people bury they are here.

It is not uncommon. One day, I am facing person who gives me their last $25. Maybe they intended for it, but their adjacent four hours were their last. And as much as I felt that I was a slave to this system, I felt free, too. Free of starvation, free of bruttish conditions. Yes, I have got been shot at by bulls and other dealers. One time, four children tried to leap me for my shit. I had to thrust 1 to acquire them to recognize that I wasn't a pushing over. As unsafe as it was, I had a life. I had a living. I could last in this atrocious place, wracked with wretchedness as much as it was. And, honestly, I called it a home. There is something prophetically human about this profession. A friend of mine was on a bad acid trip. He kept shaking. I allow him remain in my room. He kept talking about police, not making much sense. I gave him a blanket and set on soothing music. Next morning, I establish out thath person tried to fire down a section store, what bulls called, "seemingly from a drug user." I retrieve holding his shaking hand, kneeling down to him. "It's gonna be okay," I said, "Don't worry about it, you're safe here." He kind of calmed down and I allow him stay. Iodine say I also harbored a criminal, but that never bothered me. I have got my ain definition of legal and illegal.

The children or old wash up drug addicts I sell to, they are hardly stereotypical. I have got seen couples come up to me, and state that they desire ecstacy, something to increase their love for each other and experience it through new channels. They were immature and poor, but they still had more than than many others. I've had drug addicts come up up to me for a hole of methamphetamine so they could be up for a 4th day. Burned out, shaking, destroyed body, otherwise dysfunctional brain, and worst of all, coming down and in tears, "Please, please, just give me some tweak..." Begging with their last dolars. I sold to him of course. He had cash. And, as much as I would love to be able to give it away for free, I necessitate to last myself. Twelve twelvemonth old street urchins come up up to me and inquire to purchase LSD, disabled work force on Sociable Security inquire me for Codeine. Artists and Musicians flock to purchase absinthe, and they complete off a bottle and remain up to 6 americium talking on a metropolis bench, flesh turned to fucking ice, drinking a cup of java that have got been empty for the past 40 five minutes.

I say by now, it is obvious to state that I have a particularly acute observation of my environment. Unlike other deals, I don't pass my net income on a new pimping auto or a mansion -- and the lone traders who could acquire that are coke Godheads and diacetylmorphine merchants. The remainder are on the peripheries of poverty. One of my hobbies, I can confess that I love the beauty of the human face. It may look like a volatile or otherwise shallow enjoyment. I look to the face of a miss walking down the street, see a smile, and as I experience my entrepenurial spirit crushed, I happen something beautiful and unique. Some homeless person kid fights for heat on a metropolis bench, his face with a stone-cold expression, as he draws a hoodlum over his face, with small eyes peering at me. Inch some other life, my current 1 completely forgotten, I conceive of I would be an artist. I am not one now, but I retrieve during my last twelvemonth of school my fine art class (apparently 8th grade). One pupil was exceptional, and the instructor allowed him to make as he pleased. He used flint, charcoal, a assortment of inks and paints. On those grave nighttimes as I seek to fall victim to sleep's claws, I fantasise using the complex tools of fine art to capture the smiling or choler of a person. But, just a dream, nil I've told to anyone.

Asside from this 1 avocation of mine, I can acknowledge that I bask poetry. The resurrection as faded love through columns of words, I can experience more than free than I have got ever before. Perhaps itis the human inherent aptitude to seek out what we make not have. In poetry, nil is written of the tringiness of the ghetto, the life and decease horrors that every adult male in poorness must face. Yes, verse forms about it are written, but not those anterior to 1800. For the same ground I happen necessity in trying to get away the case-hardened life of a drug dealer, I can see a yuppy reading "Treasure Island" or some other adventure-based novel. For myself, it is Thoreau, Tennyson, Shelley, Rousseau, Ralph Waldo Emerson -- anyone who set on paper some ideas that were original, creative, honest. Unlike my hope fo being an artist, this avocation of poesy was shared and expressed with contemporaries. They seemed to see it not with animosity, particularly curiosity, uncomfortability, or any other xenophobic thought, but they just considered it as another portion of who I was. I say that it was the tolerance all of us must have got for each other, under such as atrocious life and working conditions. So, what a adult male makes in his ain home, is his ain to consider.

In this line of life, I acquire a assortment of awkward requests. For certain chemicals, people petition that it's not in getabs, but just in powder. Some people desire it dissolved in alcohol. phencyclidine on Marijuana, freebased coke (crack), freebased AMT, DMT,or DiPT. Or perhaps an intensified pulverization that volition give cogent personal effects by just being in the same room as it. There would be one twenty-four hours where I have a very awkward request.

"I desire you to do me die," she said.

I've heard this before, but only from friends and co-workers who were witty. "Give me 20 hits of meth, and take a calendar month off my life." But, no, this miss knew who I was, because she knew my customers, and she wanted aid in suicide.

"I don't know," I said. I've been in fightings before with people for trying to sell diacetylmorphine in the incorrect areas. Helping person dice might be just as bad.

"Please," she said, "I cognize people who told me you could help."

"Look," I said, "If you have got a job with your parents, just seek to settle down it with them. If it's your boyfriend, acquire a new one. I'm not interested in murdering anyone." Iodine allow her know straight out that I didn't desire to partake in this and I wasn't being open-minded about it at all.

"Listen," I necessitate a drug to kill me and I necessitate some place to take it," she said.

"You desire to take it in my apartment?" I asked, "Sure, like I don't acquire adequate attending by the cops. Now I'll have got got a cadaver on my floor."

"I have $600," she said.

"It might be possible," I said, as I scratched my chin.

We walked back to my room. "Put the money on the table," I said, "I have got to do a telephone call." She did as I asked.

"Hey, Johnny," I said on the phone, "What's up, man? Hey, you believe you can assist me travel a body? Yeah, I cognize the normal fee. Sure, sure, come up later tonight. Peace, brother."

"Can I inquire why you're doing this?" I said, as I picked up the money.

"Several parts of my life are a mess," she said, "Bad parents, bad boyfriend," she grinned at me with some wit.

"Hey," I said, "Don't acquire cunning on me. After all, I make have got to kill you." She nodded with a smiling and I started counting the cash. "So, really, why are you doing this?"

"The grounds are my ain and my ain to --"

"Hey, there's only $450 here," Iodine saidd, looking up, "Where's the other $150?"

"That's all I have," she said, "It's everything."

I had to do a decision. Aid her decease or allow her spell with her cash. As a drug dealer, it decently urines me off that person states they have got cash for something but end up not having it, or having half. Sometimes they offer the statement that they'll acquire me back, but that's bullshit. They're addicted to a matter they can acquire from anyone. The adjacent five dollars to hit their palm will travel to another dealer, not to pay debts. Unlike these people, this miss couldn't make that. She was not going to be around adjacent week.

"Well, fine," I said, "I say we can still make this... Sit on the bed." I sat down at my desk and pulled a java filter out of the rubbish can, and opened it on my desk. It was ful lof a wet, greenish powder.

"What's that?" she asked, trying to look over my shoulder.

"It's a toxin by-product that come ups from making high class methamphetamine," I said, as I started to fill up the gelcaps with it, "It's not painful, unlike most toxins, but it is by far more than lethal." I started to fill up some with basil, which assists tummy digestion.

"Are these set lyrics?" she asked, referring to the paper on the wall.

I turned around, "Those? No... They're nineteenth century poems." I went back to filling pills.

"They're beautiful," she said, "I enjoyed this 1 about love at first sight."

"Yeah, it mocked the conception of it and then talked about loving person after knowing them," I replied.

"Yeah," she said, "I acquire it. I was funny as to what sort of set would sing a song like that."

"That's the thing," I said, "None would. Or at least, almost none."

"And what's this?" she asked.

"That?" I said turning around, "It's a picture of a face, using only reddish and black paint. I paid two hits of acid for it. I would have got paid more, because it's just so beautiful."

"Mmmmm," she replied, "It is nice." With her affectionateness toward the painting, she had thrown a smiling in my direction. I could see that she was rational and logical in her determination of suicide. She wasn't in tears. She wasn't broken in pieces. She was very much together, or very effectual in subtly convincing me of this.

I walked over to the bed and handed her four pills. "I'll acquire you a glass of water, I said, "Mostly, I state my clients not to take it all at ancoe, but that is pricesly what I am telling you now." She swallowed the pills, two at a time, with the assistance of water.

"What's your name?" I asked her.

"Julia," she said, "But most people name me Julee."

"Well," I said, "My name is Caley." I had to state her, because I felt like she wouldn't ask.

"It'll only be 30 to 60 minutes, before you're gone," I told her.

"Why did you acquire into this business?" she asked.

"Well," I said, "It's easier cash, it necessitates small work, I am always well stocked in my favourite commodities, and I'm not on the threshold of poverty. Why?"

"I think I always just wanted to know," she replied.

"So, how was your day?" I asked, a spot uncomfortable with the overall situation.

"It's getting better," she replied, "And your own?"

"Oh, it's doing all right, "I said, "Making money..."

A slow silence befell the room for thirty secs as we exchanged glimpses occasionally, myself somewhat uncomfortable still, she somewhat uneasy, I imagine. A auto outside blowing Mexican blame music travels by with a bad engine. Cluttered feet trampling by with a premix of foreign languages. Her eyes look down and then are brought up to mine. As small as I cognize about her, I experience certain adequate that she spoke with more than elusive ocnfidence that 2nd than aty any other minute of her life. "I've led a good life."

"Then why end it this way?" I asked, as the curosity of the homosexual sapien nature urked my spirit.

She shrugged.

"That doesn't look like you're confident in your reasons," I said.

"No, it's not that," she replied, almost in a faded tone, as though the poisonous substances had sapped away her psyche before it took her body, "It's just that I don't desire to, or demand to, talking abou tit... I guarantee you it exists, but I'm not bringing it into this room."

"Understood," I said... "How was your life?"

"I told you, good," she said, "I have got this friend, Celine. She was always so nice to me and admired the things I did. She could be a friend on common terms, too. She loved me so much."

"I'm sure she still makes then," I replied, "Why usage the past tense?" She didn't answer.

"I'm leaving behind a son," she replied finally.

"Oh?" I said, surprised, as my eyes widened.

"He'll never know, though," she said.

"What make you mean?" I asked.

She caressed her manus over her stomach.

"You mean... you're pregnant?" I asked.

"Yeah," she said, "But only three weeks."

"Is that the reason?" I asked.

"No, she said, "I told you, I wouldn't allow the ground come in this room."

"Okay," I said. I tried to attain for something to say, some manner to comfortableness her. "Would you like to hear a poem?" I asked.

"Sure," she said. I brought out perhaps my most moving and emotion verse form I have got from the 1800's. It subtly touched upon the points of felicity and sadness. It subtly touched upon the points of felicity and sadness. Every few months, my most favorite transition will change. Maybe just its another poem, another stanza, or another writer altogether. Here I read to her the choice of the season.

"That was very nice," she said, throwing at me a smiling with closed, relaxed eyes, as one manus of hers India rubber her forearm ently, turning her face away. Maybe it was a crime, an bill of indictment against me, my character. In lone two illustrations have got I ever shared the verse forms of my bosom with others. I none case, my friend was going in to the military, and would function 2 old age over seas. We hugged, thinking we may never see each other again. In that case, I didn't even read him a poem. I slipped a piece of paper in to his pocket with a beautiful verse form written on it. And now, with Julia, I have got read her somes poem. If I thought she would be alive in two hours, I wouldn't have got gone that far.

"Can you hold me?" she asked.

I stood up and walked over to the bed, where she was sitting. "I can," said.

"Please, hold me, then," she said. I set my weaponry around her and laid down. Slowly, slumber came to both of us, peace in our minds.

I would aftermath and experience her skin. It was cold.

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For Life,

The four Charles Dudley Warner Brothers, which included the womanizing Jack, the conservative Harry, the quiet Prince Albert and the illusionist Sam, had risen from obscureness with The Wind Singer (1927) the first celebrated and financially successful talking film ever made. Tragically, Surface-To-Air Missile Warner, the existent encephalons behind the whole project, died of a encephalon tumour two years before The Wind Singer's debut. Jack was thrilled by the film's success, but crushed by his brother's death. He became hard to cover with for the remainder of his life. His aged and more than conservative blood brother Harry and he fought constantly over money and Jack's womanizing ways. One time Harry chased Jack through the studio with a two by four baleful to kill him. The feud became so acrimonious that Jack opted to play lawn tennis rather than go to Harry's funeral in 1958. One time Jack met Prince Albert Einstein," Mr. Einstein, I have got my ain theory of relativity. Don't engage them."

Warner was fascinated by Albert Einstein especially the physicists elaborate verbal descriptions of stars. After he left Jack told a staff member," Sign this Alpha Orionis cat to a contract. Albert Einstein believe he have potential."

Despite or maybe because of his aborted vocalizing career, Jack Charles Dudley Warner seemed to resent similar aspirations in others. One twenty-four hours her was strolling through the studio batch when he heard a immature adult male vocalizing with a beautiful voice. It was coming from the security guard shack. Curious, the Mogul walked up to inquiry his startled employee.

"Young man, was that you singing?" "W-why yes Mr. Warner." "Young adult male you have got a beautiful voice." "Oh give thanks you Mr. Warner." "MM. State me, immature man, what would you rather be? A security guard or a singer?" "Oh Mr. Warner, I dreamed of being a singer." "Ok immature man. You're fired!"

Jack Charles Dudley Warner treated all of his employees with derision, but none worse than the writers. Many of them although better paid at the studio than they ever were writing novels, resented the nine to five modus operandi they were forced to accede to at the Warner's factory. Where the histrions were free to go forth the studio at luncheon the authors had to be "chained" to their typewriter. One time Charles Dudley Warner called a author into the studio showing room for his suggestions on how to repair a weak script." I'm sorry Mr. Warner. I have got no thoughts after five."

Another time Jack called in a author to his office. "Look pally, I got to open fire you because I heard you were a communist. " "Mr. Warner, please! I'm not a communist, I'm an anti-communist!" "I don't care what sort of communist you are! You are out of here!"

Well after The Wind Singer's success, Jack remained sensitive to spiritual matters. When he hired a phase histrion named Jules Garfield, he told him, "Ok, we have got to change your name. How about Jesse James Garfield?" "Mr. Charles Dudley Warner Iodine don't desire to change my name. Anyhow Jesse James James Garfield was a President. Why don't you change my name to Abraham Lincoln?" "Forget it Garfield. Abraham's too Jewish. We're not going to give the incorrect impression." After much arguing they compromised with Toilet Garfield.

Warner's histrions gave as well as they got. Humphrey Humphrey Bogart called him a creep. Errol Flynn actually threatened to kill him. Jesse James Cagney, after drive down the route and seeing Pat O'Brian's name billed above his on a film pavilion sued him for breach of contract and won. Betty Davis, constantly complaining about the movies she was project in, fled to England to execute on the phase only to have got Charles Dudley Warner path her down and legally oblige her to return. But perhaps the toughest of all his conflicts was with histrion Saint George Raft. Raft, who hung out with mobsters like Bugsy Siegel in existent life, was loth to be cast of characters as a hood on the screen. He turned virtually every function he was offered. Finally, Jack decided to purchase Saint George out of his contract. "Will $10,000 make it?" He asked Saint George wearily. To Jack's astonishment, Saint George pulled out his ain checkbook, promptly paid his foreman $10,000 and stormed out of the office!

Hollywood was an attractive place for the early film makers to settle, full of good weather, orange and lemon trees. For manufacturers who owed money on borrowed photographic camera equipment if a creditor came after them, they could conceal among the trees. It was a difficult concern full of causalities and took a pirate's outlook to survive. Most of the studio caputs were from mediocre backgrounds, with limited English accomplishments and never forgot their childhood or a personal slight. Included were Jack, Harry, Prince Albert and Sam, the four Charles Dudley Warner Brothers from Youngstown, Ohio. They had begun with showing movies off the side of a collapsible shelter in Youngstown, borrowing all the chairs from the local undertaker. Every time there was a funeral in Youngstown, they had to give all the chairs back and the movie frequenters were forced to stand.

As a male child Jack Charles Dudley Warner wished to be a vocalist and a comedian. His brothers, recognizing his deficiency of endowment instructed him to sing in the collapsible shelter when they wanted the audience to leave. He was later advised that the money was not in performing, it was in paying performers. Among the stars that would be under contract to him would be Betty Davis, Jesse James Cagney, Humphrey Humphrey Bogart and Errol Flynn.

The soundless years were a battle for Charles Dudley Warner Bros. Rin Tin Tin, a German shepherd that according to his promotion was born in a fox hole in World War I, was their greatest star. Epic as he might have got been on the screen, he proved to be, like many stars, cantankerous in person. Jack Charles Dudley Warner took the domestic dog on a promotion tour. As he introduced him to the crowd, his ungrateful employee spot him on the behind, leading to the dog's dismissal. It proved to be a preliminary to Warner's many hereafter conflicts with stars.

Trying to do a name for themselves, the four blood brothers got great promotion by announcing that the renowned opera tenor voice Enrico Caruso would be arriving from Italian Republic to do a movie for them. They paid him 25,000 dollars and then set him in a soundless movie.

The film studios had the engineering to do talking movies old age before they made them. One of the grounds why they resisted the thought was that they didn't desire to put on the line losing their abroad market. Stars like Charlie Chaplin, Douglas Douglas Fairbanks Jr. and Virgin Mary Mary Pickford rarely ever had a floating-point operation as their movies were shown around the world and knew no linguistic communication barriers. But in 1926 the soundless movies faced their greatest competition with a new device called the radio. As film attending dwindled the studio caputs close their eyes and pretended the radiocommunication was not there. But the Warners take by the ambitious Sam, decided to force the envelope and seek to salvage their sinking studio by experimenting with film sound.

Sam purchased an experimental sound system called Vita-phone. They then acquired the rights to The Wind Singer, a popular play about a immature adult male who had a beautiful voice and is offered a Great White Way calling against the wishings of his Old World Jewish father. In the play the boy gave in to his male parent but the Warner's, wishing to attain a wider audience, Americanized the story by having the boy follow his ain dreams. Star Aluminum Al Jolson adlibbed the dialogue," Wait a minute, delay a minute you ain't heard nothing, yet!" The Warner's were only intending vocalizing but at the last minute they impulsively kept the line in the film. The Wind Singer received a standing standing ovation when it premiered in New House Of York in 1927 and went on to do three and one-half million dollars at a time when admittance costs 20 cents. The sound revolution was under way!

Movie audiences had often been loud and noisy while watching soundless films. Now the theater's got quiet as people strained to hear every word. Movie Theater's had to be rewired for sound, costing major studios like Paramount and Fox billions of dollars. Movies now had to movie mostly at nighttime as any passing play motortruck noise could destroy a sound recording. " How boring!" said Virgin Mary Pickford. "At first we moved! Now everyone is standing around talking!" One enterprising histrion was hired for one day's work. When the manager wasn't looking he allow a clump of crickets loose on the set. It was five years before the crew could round up the chirping crickets, and the histrion kept on hold received five times the paycheck.

Jimmy Stewart was seen one night in 1933 in New York performing on stage as a female impersonator by an MGM talent scout. He was signed to a contract to come to California to work for the prestigious studio. Studio Head Louis B. Mayer expressed doubt when he first saw him,"He's so skinny! A beanpole." Efforts were made to put weight on him, the 133 pound actor was constantly sharing butterfingers candy bars with Ann Miller which seemed to fatten her up more than him.

If Mayer was unimpressed by his new star's physique, his behavior was a refreshing change compared to some of the prima donnas at MGM like the usually drunk Spencer Tracy, or the demanding to be alone all the time Greta Garbo. Stewart never complained about his salary or workload. Whatever the task be it screen tests or B-movies, he was always on time and knew his lines, although sometimes his trademark stammering lead to extra takes. If they loaned him to a lesser studio like Columbia, he was just happy to be working. Slowly, in the late thirties with great performances in Frank Capra movies like You Can't Take It With You (1938) and Mr. Smith Goes To Washington(1939), Stewart's star rose as did the respect for his talent. He became known as a swinging lady's man around town. Mayer was surprised and delighted by his Academy Award for the Philadelphia Story (1940) as well as his humble gesture of sending the Oscar statue home to Indiana, Pa. for his father to display in the Stewart family hardware store.

With the War breaking out in Europe moguls like Mayer were pressured by the US government to make films that were pro-British and anti-German. In exchange they were promised that the leading men in Hollywood would not be drafted. But Jimmy Stewart told Mayer that he intended to join the army. The Mogul, who was quite the actor himself tried to dissuade his growing asset from leaving. "Young Man, you will do so much more for the service men if you stay home and make films. They will need entertainment. James my boy, don't deprive them. And your salary, your contract, your MGM family, don't throw all that away." But despite being five pounds below the required weight Stewart insisted upon and received his induction to the armed forces (Due to the depression a lot of malnourished guys got in).

He would eventually transfer to the air corps and lead a thousand men into battle in the European theater, but the humble star began his military career as a buck private peeling potatoes. To join the service in in 1941, his MGM salary of $1500 was reduced by the army to $21 a week. Upon receiving his first payment Stewart immediately sent a check for two dollars and ten cents to his agent.

Once when he was a small male child in England, Leslie Hope (He later renamed himself British Shilling after a race auto driver he idolized) wanted to pick an apple off a tree. Symbolic of his career, he didn't desire just any apple but the peak one possible. He lost his balance, drop and permanently changed the form of his nose.

His large interruption in Hollywood was getting the portion Jack Sesame turned down in the Paramount movie "The Big Broadcast Of 1938". The manager R. J. Mitchell Leisen could not stand up the star of the film, the cantankerous WC Fields, who would run off the film set and come up back too soused to make the needed scenes, blunder his lines and screaming for his lawyer. Liesen establish Hope much more than cooperative, although he was a nervous jambon in presence of the camera. Despairing to be a more than traditional prima adult male like Fred Macmurray, Hope begged Paramount to pay for a olfactory organ occupation but they refused. It was in this movie he got to sing "Thanks For The Memories" which along with his skis olfactory organ became Hope's trademarks.

For his radiocommunication show when Hope establish out that Jack Sesame hired two authors for $1,000 a week, he in bend hired 10 authors for $100 a hebdomad each and hated paying. At times he would garner the staff at the underside of a stairwell and flip their paychecks down as paper airplanes. Other times Hope would disrupt his Scribes familiarity with their wives by calling their houses very late at nighttime to travel over new material. For their part, the authors created the Hope film character, egomaniacal, womanizing and cowardly, all but the last trait were true.

Hope's human relationship with Bing Bing Crosby was love-hate. In one of their early route movies Paramount Studios filmed two terminations in which each of the male children ended up with Dorothy Lamour, to see which result audiences preferred. They overwhelmingly chose Bing which annoyed Hope, who got his costar back by constantly reminding him that he wore a toupee. In one scene both had to lie on the same bed together (innocently, they were resting) and Bing refused to take his chapeau off. No amount of coaxing from Paramount executive directors could acquire Bing Crosby to change his mind, he did not desire to hear Bob's toupee barbs. Hope later said the top playing public presentation he ever gave was smiling when Bing won his academy awarding for Going My Manner (1944).

His frequent prima lady, Lucille Ball, was an even fit for Hope in the aspiration department. She lobbied the comic to engage her little-known band leader hubby Desi Arnaz for his radiocommunication show. She later regretted it when Desi slept with every chorus girl who applied for a job, with rumours flying about Hope termination up with his 2nd choices. Delores Hope was as long agony as Lucy was. One time she was among a crowd waiting backstage for him after a unrecorded show. A newsman asked her,"Are you connected to British Shilling Hope in some manner Miss?" "No, I'm just his wife."

In the late 30s, Hope made merriment of veteran soldiers on his radiocommunication show. Performing at regular army alkalis was a manner to convey up ratings. Then came World War two with Hope and a figure of other stars recruited by the authorities for a warfare chemical bond selling, triumph train tour. Unlike many of the coddled people who complained about the cramped living quarters on their shared train, the ex-vaudevillian Hope was exhilarated by the travel. It was no job for him to travel abroad to entertain the troops.

At first Hope establish America's homesick immature combat work force to be the easiest audience he ever faced. Jokes that would decease in the states would acquire uproarious laughter from the troops. In the beginning Hope stayed out of armed combat areas, but then he reasoned that those in existent conflicts needed him the most. Hope became addicted to the to the danger of flying in airplanes that mightiness acquire shot down or performing in places that had recently been attacked. But he was greatly moved by the hurts he saw in infirmary wards, and quietly assist put up respective of the soldiers he met in their ain concerns after the warfare ended. Later he could not understand the Socialist Republic Of Vietnam situation, getting in problem when he repeatedly suggested we should bombard the enemy into submission. Hope's love for the military personnel stayed constant, even in Nam when they booed him.

Hope got along great with all the Presidents he met, whether he agreed with them or not. He once said that Franklin Roosevelt laughed so difficult at his gags he almost voted democratic. He loved telling the story about a marine in World War two who was disappointed that he had not killed a Nipponese soldier. At the border of a jungle he tried to smoke them out, by shouting," To Hell with Hirohito!" It worked, a Nipponese soldier came out and shouted," To Hell with Roosevelt!" But the marine lowered his weapon," Darn it, I can't hit a chap Republican."

Studio executives in High Concept Hollywood have very short attention spans. When pitching a film idea, many believe if you can't do it in one sentence it is an unmarketable product. For example Planet Of the Apes (1968) starring Charlton Heston was pitched by producer Arthur Jacobs as "Moses Talks To Monkeys". Passenger 57( 1992) with Wesley Snipes was known as "Diehard On a Plane." Director James Cameron, despite a strong track record with films like Aliens (1986) and True Lies (1994) knew he would have a tough selling job after he went deep sea diving with Dr. Robert Ballard to glimpse the remains of the RMS Titanic. He became so emotionally involved by the experience that the sinking of the famous luxury liner in 1912 had to be the subject of his next picture. His pitch to the nervous executives at Twentieth Century Fox was," Romeo and Juliet on a doomed ship." There was a tense pause and Cameron said," Also fellas it's a period piece, it's going to cost $150,000,000 and there's not going to be a sequel." Fox, a studio which had known great success with both The Love Boat (1977-1986) TV show and The Poseidon Adventure (1972) was dubious about the idea's commercial prospects. But wanting a long term relationship with Cameron they gave him a green light.

Previous movie versions of the Titanic had focused on the historical aspects of the ship hitting the iceberg, so Cameron decided to play up the fictional love story. After Gywneth Paltrow turned down the female lead, Kate Winslet campaigned for it heavily by sending Cameron daily notes from England stating, "I'm your Rose." Her persistence led Cameron to invite her to Hollywood for auditions. One of her screen test partners Leonardo DiCaprio, impressed her so much she whispered to Cameron," He's great. Even if you don't pick me, pick him." Cameron picked them both, but Leonardo was harder to convince. Playing a romantic lead in a blockbuster just didn't seem cool. Cameron told him," I know what you want. You want to play him with a deformity or a limp. Well, it's lot harder playing a nice guy like Jimmy Stewart then one of those freaky, weirdo characters." Freaks and weird character portrayals often take home Oscars, but DiCaprio agreed to play the part.

For a major Hollywood production the star salaries were relatively low, DiCaprio made the most at $2,500,000. The biggest expense of the film was building the ship, it required the construction of a entirely new studio in Rosarito Beach. Cameron's attention to historical detail was evident down to the carpets, the grand staircase, the Picasso paintings and the 1911 touring car that Jack and Rose made love in. But other aspects of the film were less accurate. There was no evidence that on the real life Titanic people in third class were blocked from reaching the upper decks and the lifeboats, the emphasis was on rescuing the women and children, the richest man on board the ship actually died. In the film, First Officer William Murdoch was portrayed as a coward who shot passengers, in real life he was a hero which caused James Cameron to apologize to his surviving relatives. And Leonardo's character Jack was based on an unattractive coal miner, who never left the bottom decks, let alone met someone like Rose.

Cameron, temperamental in the best of times, was surviving on three hours sleep and saved most of his screaming for the film crew. His philosphy was you couldn't get great perfomances out of the actors by yelling. In one scene, Winslet and DiCaprio were running away from a huge wave on one of the decks and the actress was submerged and nearly drowned. Moments after she was rescued Cameron calmly said," OK. Let's do it again."

As the costs began to mount along with the stories of the director's slow pace and temper tantrums, the Fox executives began to freak out. They suggested an hour of specific cuts from the three hour film. They argued the extended length would mean less showings thus less money. But long epics are more likely to help directors bring home Oscars, and Cameron was more defiant than DiCaprio. "You want to cut my movie? You're going to have to fire me!" You want to fire me? You're going to have to kill me!" The executives, knowing that starting from scratch meant their entire investment would be gone, did neither. They also rejected Cameron's offer of forfeiting his share of the profits as an empty gesture; they were sure there wouldn't be any.

With more special effects being added Titanics's release date was moved back from summer to Christmas 1997. At one point Cameron visited the Twentieth Century Fox studio headquarters to request permission to shoot additional footage and ran smack dab into company chairman Rupert Murdoch (no relation to William) in the hallway. After months of fiercely ordering people about, the self proclaimed "King of the World" could not look his real boss in the eye. "Uh hi. Uh I know I'm not your favorite person spending all your money. But I guarantee you the movie will be good." Murdoch, with a glint of steel in voice, replied. "Young man, it had be better be better than good!"

Thanks largely to repeated viewings from young girls, the film made more money than any other picture in history. It tied Ben Hur (1959) for the most Oscars (11) although it was not even nominated for Best Original Screenplay. The Fox Executives were more relieved than euphoric and promised no more $200,000,000 movies, they felt like they had dodged a bullet. DiCaprio who infuriated the studio by refusing to promote the film and show up at the Academy Awards, became a $10,000,000 per picture star, was chased down streets by adoring young females, and later called the whole Titanic craze," kind of an empty experience". Winslet, who at one point during the shoot woke up and said, "God I wish I was dead", moved back happily into smaller independent films. Cameron got his original profit share and continued to lose his temper, suggesting a film critic who panned Titanic be impeached. He reflected later that movie prices had to be raised to fifteen dollars to pay for overblown budgets. "People would be mad for six months and then they would come back. Of course I wouldn't want one of my movies coming out during those six months."

It's A Wonderful Life (1946) began as a short story called "The Greatest Gift". Writer Philip Van Doren Stern was unable to sell it to a publisher, so he sent the tale out as a long Christmas card to friends. His agent subsequently sold the fable to RKO pictures, where it went through several transformations. In one version a losing political candidate contemplated suicide, only to have an angel convince him to stick around and do good works. Finally it fell into the hands of Director Frank Capra who cried when he read it, said it was the story he had been looking for all his life, and purchased it to be the first project for his new production company, Liberty Films.

To play the unassuming savings and loan clerk, Capra wanted Jimmy Stewart who he had previously worked with in You Can't Take It With You (1938) and Mr. Smith Goes To Washington (1939). But coming back from World War II, the thirty-seven year old Stewart was no longer the easy going man about town he had been in the thirties. The former Academy Award winner for The Philadelphia Story (1940) had led a thousand men in bombing missions in the European theater in hard to maneuver B-24s. The loud engines damaged his hearing, in later years people when people would greet him and he would fail to respond, some would mistake his deafness for a cold personality. He was uncertain after five years away from the screen if he still wanted to be in the movies. Sometimes the profession seemed so humiliating. In 1943 when Stewart had tried to stay in the best hotel in Madrid, he was turned away because he was an actor. He went back to the air force base, got his Lieutenant Colonel's uniform and then they let him in.

When he returned to Southern California in 1945 Stewart took things easy. He refused to re-sign with his old studio MGM, despite tearful requests to do so from the hammy Louis B. Mayer. He was content to spend time flying kites and building model planes with Henry Fonda. When Capra came to make his pitch Stewart looked bored, out of it, causing the Director to lose confidence. "Well Jim, it's about a savings and loan clerk who wants to commit suicide. There's an angel named Clarence who shows him what life would have been like without him. . . aw forget it, it's a stupid idea." Capra was turning to leave when Stewart put his hand on his shoulder. "Frank, if you want me, I'm your man." At least that's how the film's publicists told it.

Stewart was morose and insecure as filming began. Since he went off to serve, Hollywood had found new leading men like Kirk Douglas and Gregory Peck who were seven years younger than he was. Some scenes called for the now graying actor to still be in high school. He felt ridiculous and considered plastic surgery. But he was helped greatly by his co-star Donna Reed who encouraged him throughout. In the romantic scene where George (Stewart) and Mary (Reed) declared their love for each other, Capra joked that Stewart was so nervous he wrapped a phone chord around them so he wouldn't run away. James was also helped by the film's villain Lionel Barrymore who was confined to wheelchair because of crippling arthritis. "Son, I want you to cheer up. Don't you know you make people happier being a movie star than you ever did shooting at them in a plane."

In the 1930's Capra had toiled at Columbia Pictures which was ruled by the autocratic Harry Cohn, long considered the meanest man in Hollywood. The Mogul kept the entire studio electronically bugged, displayed a huge portrait of Mussolini in his office, and used an electrified chair to give unsuspecting victims sudden jolts. Capra had sat in it once, received a shock and angrily smashed the chair to bits. When filming began on It's A Wonderful Life, Capra was happy to be free of Cohn, but nervous. Now his own money was part of the investment. Known for making movie sets fun places to work, he was at first crabby and irritable with his cast and crew. Filming a snowy, Christmas movie in over one hundred degree heat in Encino did not help morale. Many of the heavily dressed actors fainted. But there were nice moments. One scene required Mary to throw a rock through an old mansion window and make a wish. Capra had a marksman ready off camera but to his delight Reed shattered the glass on her own. She turned to him and said," Why so surprised? Don't you think an Iowa farm girl would know how to play baseball?"

As the shoot progressed Capra regained his confidence. He disdained special effects when Clarence Oddbody the angel (Henry Travers) did his magic, preferring to tell the story through his actor's faces. The Director started to believe he was making the greatest movie ever. As his mood lightened the Company enjoyed picnics and singing on the set which were hallmarks of Capra's earlier films.

Too dark, the Country wanted comedy like Dean Martin and Jerry Lewis. Too dated, Wonderful Life came off like a depression film rather than a post war movie. For whatever reason the three million dollar production failed to make its money back. Capra chose to fold his tent shortly after the movie's release calling Liberty Films," The quickest way to go broke a man ever devised." Stewart panicked. The ex-war hero received a phone call from his agent. "Donna Reed loved working with you. She wants to do it again." "No way. That girl is jinxed." June Allyson became his leading lady of choice playing his wife five times. Decades later he would praise the performance of a bemused Donna Reed for making Wonderful Life great. "My God," she told her friends. "He sure didn't say that when it came out."

Years passed. From that point on Capra, unwilling to either risk his own money or work for somebody else directed very few movies . Stewart decided to portray a stronger image on screen. He refused to play in war movies saying they were unrealistic, choosing instead hard, gritty Westerns like The Man From Laramie (1954) which helped to make him rich and surpass John Wayne as the nation's number one box office star. Reed restored her career by winning an Academy Award for playing a prostitute in From Here To Eternity (1953) and then became one of television's most wholesome mothers. And It's A Wonderful Life fell into the public domain in 1973 because no one renewed it's copyright. The forgotten film was shown repeatedly on almost every cable television station, finally got a huge viewership, and became a perennial Christmas Classic.

During the soundless epoch it was thought a waste material of money to do a film with more than than one star. Personalities like Charlie Chaplin, Harold Harold Lloyd and Fellow Buster Keaton were considered cogent adequate box business office on their own. But with dwindling attending during the great depression MGM decided to have Hollywood's first all star ensemble cast of characters in Grand Hotel (1932) starring the gigantic egoes of Joan Crawford, Wallace Beery, Toilet John Barrymore and Greta Garbo. The manager Edmund Goulding was not able to allow Joan Thomas Crawford and Greta Garbo have got any scenes together for fearfulness they might seek to upstage each other. Although she complimented her Swedish co-star's beauty, Thomas Crawford hated Garbo's demands for top billing. Knowing that Greta hated tardiness and Marlene Dietrich, Thomas Thomas Crawford was constantly late and played Dietrich's records loudly on the set.

Crawford had another classic brush with competing Bette Davys on the set of Whatever Happened To Baby Jane (1962). Betty, knowing that Joan was the widow woman of Aelfred Steele, the former caput of the Pepsi Cola Corporation, had a Coke dispenser brought in for the cast of characters and crew. When Joan was late Bette, an often awful adult female but a sum pro, would proclaim loudly," Is the Widow Sir Richrd Steele ready yet?" Joan retaliated by lining her acquire dressed pockets with weights so in a scene when Davys had to drag Crawford's nearly dead fictional character across the floor, she almost broke her back.

Male stars don't always get along either. On location in Japan, for the filming of The Teashop Of The August Moon (1956), John Glenn John Ford paid a visit to his co-star Marlon Brando's dressing room. "Marlon did you eat one of the cocoa chip cookies my married woman sent me?". "No Iodine didn't Glenn." "OK." John Ford hesitated at the door. "Marlon, all you to make was ask, you didn't have got to take one." John John John Ford left to hit his adjacent scene giving the infuriated Brando time to travel into Ford's dressing room and knock the remaining cookies with a sledgehammer.

Another Ford, Harrison, had a quarrel with Brad William Pitt during the making of The Devil's Own (1996). At first William Pitt was excited to be working with the aged actor, but his enthusiasm waned as the book focusing moved away from his sympathetic immature Irish slayer to Ford's middle-aged, happily married policeman. John Ford perhaps threatened by the little star, accused William Pitt of trying to be an vindicator for the IRA. The movie was delayed almost every twenty-four hours for hours as Pitt, John Ford and manager Alan Pakula would reason about the script. The budget skyrocketed to over ninety million, became a box business office failure and led to Columbia River Pictures caput Mark Canton, being fired. During the production when the two had stars had fighting scenes together they took out their defeats by landing existent blows.

An all star male cast of characters can do it hard to stand up out. Steve McQueen had been so despairing to look in The Brilliant Seven (1960), he had intentionally crashed a auto and used his minor hurts to temporarily acquire out of his telecasting series Wanted Dead Or Alive (1958-1961). He snuck down to United Mexican States while he was "recuperating" to work on Magnificent. His new challenge was how not to be overshadowed by the movie's star Yul Brynner. The colorful, larger than life Brynner was actually five ft nine (same as McQueen) and concerned about his tallness on screen. For the first scene between Chris (Brynner) and Vin (McQueen) the Swiss Mongolian histrion built a hill of soil that would let him to loom over his co-star. But Steve kept blowing his lines. Before each new return he would kick some soil out from underneath Yul's hill. By the time he got the scene right Brynner was nearly standing in a hole.

Sometimes the most junior-grade statements will interrupt out between male stars and their prima ladies. A legal tender scene in the Bishop's Wife (1947) was delayed because Cary Grant and Loretta Young couldn't face each other. Both insisted that their left profiles were more than than their more photogenic one-half and strongly pushed for that place in presence of the camera. After the draw lasted a few hours the ferocious manufacturer Surface-To-Air Missile Goldywn came down to the set and shouted," If I exposure only half, I pay only half!" The job was solved with Young gazing out the window and Grant coming up from behind, placing his weaponry around her and gently resting his mentum on her shoulder, so both left profiles remained in full view.

Ten old age later Grant drop in love his prima lady Sophia Sophia Loren while making Pride And Passion (1957). Their co-star Blunt Frank Sinatra got extremely jealous. Trying to do friends Sophia Loren explained to Frank Sinatra in Italian that she was worried about her English for approaching promotion interviews. As usual the Satan took over Sinatra. He advised her to usage disgusting linguistic communication in every sentence. Especially the "F" word which was a term of endearment to Americans. When Sophia conducted her first fourth estate conference the aghast newsmen asked her where she learned to talk like that. After a few good abdomen laughs, she was advised to do Cary Grant her new English teacher.

Meeting celebrated people is often a phantasmagoric experience for both parties. In 1956 when Elvis Elvis Presley arrived in Hollywood he and his entourage stayed at the Hollywood Franklin Roosevelt Hotel. One twenty-four hours he got into the elevator. "What floor?" asked the operator. "Tenth please." The operator looked at him with disdain. "You can't travel up to the one-tenth floor. Elvis is staying there. No 1 is allowed there." A deep in thought Elvis Presley said," I know. I'm Elvis." The hotel employee stared at him for a long minute then said," Well Iodine don't care who you are, you can't travel to the one-tenth floor." The good-humored vocalist agreed to travel to the eleventh flooring and walked down the stairway to the tenth.

Some amusement organisations are so huge that employees don't always acknowledge the people at the top. Walt Walt Disney who often was rough with those who worked for him, had no forbearance for anyone at Disneyland who was ill-mannered to the clients or as he set it, the guests. One time when an unfriendly security guard prevented he and his married woman Lillian from getting on a ride, Walt fired him logical thinking the adult male would be unpleasant with others. But if person was doing their occupation they had nil to fear from the boss. Once, when Walt was on manus for a presentation of a new drive a immature miss working there chided him for lighting up a cigarette, it wasn't allowed. Disney, who eventually died of lung cancer, asked, "Whose thought was that?" "Walt Disney's." Walt stubbed out the cigarette. "That's good adequate for me."

Sometimes the celebrated have got a hard time not being the centre of attention. Once at a party at Joe Louis B. Mayer's house, the Mogul was expressing his esteem for a female," The reddish hair, the legs, I have got never seen such as beauty. She walks so regally like a queen". Greer Garson the new queen of the MGM batch was standing nearby. She walked up to Mayer's circle and said," Why give thanks you Mr. Mayer." It turned out pound was talking about his new horse.

It's hard sometimes for stars to retrieve that not everyone cares about who they are or what they are doing. One time Laurel and Hardy were filming a unusual scene in Venezia Beach that needed the male children to run down a narrow back street with their wives chasing them. The women would hit at them causing guiltless work force to run out of their nearby flat edifices in their undergarments and run away, with Stan and Ollie doing dual takes. Before shot the scene Laurel gathered the supernumeraries around," Listen fellas, it's costing us a fortune to lease out these flats so I desire to acquire it right the first time. Now when you hear the shots and run out into the alley, don't linger. We only desire you in the scene for about 10 seconds." After the manager shouted "ACTION!" the male children ran down the alley, their wives fired their guns, the work force in their undergarments ran out and disappeared quickly following Stan's instruction manual to the letter. All except one cat who was about thirty secs late, ran the incorrect way, and bumped into Laurel, ruining his close-up."You bloody fool. You ruined the shot!" shouted Laurel. "I'm not in the movie," replied the runner."

Sometimes fables don't acknowledge each other. After twenty old age in Hollywood Aelfred Alfred Hitchcock finally became super rich after producing the low budget Psychotic (1960). His agent Lew Wasserman convinced him to merchandise the film rights for shares of stock in Universal, making the manager the 3rd greatest proprietor of the studio. From then on Alfred Hitchcock loved picking up the Wall Street Diary to see if he was wealthier. While directing his last movie Family Plot (1975) Alfred Hitchcock would get at Universal Joint early, sit down in his chair and joyfully read about Jaw (1975) which was adding billions to his stock's value. One twenty-four hours his morning time modus operandi was upset by an unasked immature adult male hovering around the film set. Hitchcock, who seemed to have got got eyes in the dorsum of his caput called a crew member to have the interloper removed. It turned out to be Jaw Director Steven Spielberg who wanted to ran into his idol.

Just because you're recognized once doesn't intend you will go on to be. After losing his drive privileges because of drunkenness Sean William Penn was forced to sit the metropolis bus. One twenty-four hours another rider came up to him. "Hey you look like Sean Penn. But I cognize he wouldn't be riding a bus." William Penn replied," How make you know? Bash you cognize Sean Penn?" "Yeah I worked on a movie he starred in." "Oh yeah? Well, what make you believe of him?". "Oh God, he was a sum $%#%!"

Author/Narrator Stephen Schochet researched Hollywood and Disney stories and lore for 10 years while giving tours of Hollywood. He had the unique idea the stories could be told anywhere and that's what led him to create the critically acclaimed audiobooks "Fascinating Walt Disney" and "Tales Of Hollywood". Here he shares some stories that happened while he was actually giving tours:

On one tour I pointed out the Fox Plaza, the building that was blown up in the movie Die Hard. A tourist asked me "How did they put that building back together so fast?"

* On the tour we stop at Rodeo Drive. The people were returning to the bus after their visit and Steve Garvey came walking by. A life long Dodger fan I said," Hi Steve." Happy for the recognition, he came over to meet the people on the bus. Unfortunately, the entire group was from England and Germany and not a single person knew who he was.

* The day after OJ Simpson was arrested, I was doing a tour where we stopped in front of the Chinese Theater. My customers were looking at the handprints and footprints, while I stretched my legs near a row of parked tour buses. Two men, one with a filming camera approached me. "Hi We're from CNN. Are you a tour guide? We would like to interview you about OJ." "Sure." "Great. Roll the camera. We're talking to a Hollywood tour guide. So did your customers ask you today about OJ's house." "Well today my people are from Romania. They are here for the World Cup. I don't think they care about OJ." "Well will you be adding OJ's house to the tour?" "Probably not because he lives west of the 405. We go east of the 405 and we are so pressed for time. I wouldn't be surprised if we have some guys who point at any old house and claim that it's OJ's!" I was kidding but the reporter took me quite seriously. "So tour guides do that do they? What tour company do you work for?" I thought, who does this guy think he is, Mike Wallace? I pointed at one of the buses owned by a rival tour company.

* When I first started training as a tour bus driver I rode with other guides to see how they did it. One guy, unfortunately did not endear himself to the customers with a patter of stale and sometimes sexist jokes. At one point he showed the Hollywood Sign, and told the tragic story of actress Peg Entwistle, who unable to succeed in the transition from stage to screen, jumped fifty feet to her death from the top of the letter H. He finished the tale with the tagline,"Of course the last person to jump was a tour guide who didn't get tipped." There was a pause and then an Australian customer from the back of the bus shouted out," Oh yeah? Well there'll be another one tomorrow!"

Gene Hackman once lamented that the worst thing about becoming a celebrated histrion is that you lose the ability to detect people without being noticed yourself. But some performing artists are so good at camouflages that ill fame is no obstacle. A lawsuit in point was Toilet John Barrymore trying to purchase his first house in Beverly Hills in 1926. Defeated by rising existent estate terms owed to stars like Uncle Tom Mix and Charlie Charlie Chaplin moving into the neighborhood, John Barrymore went to look at a batch dressed as his most celebrated film role, Mr. Hyde. The real estate broker was taken aback by the long haired, wild eyed, fiendish looking adult male who got out of the limo. Every time the agent would propose a terms he was met by an daunting growl. Finally he made the sale by lopping twenty thousand dollars off the initial number.

Barrymore's preference for camouflages did not stop with his place purchase. The histrion was often arrested and barred up for vagrancy, specifically being drunk and going through his rich neighbor's rubbish tins to happen garbage for his pet buzzard. His experiences were set to good usage when he showed up to a costume party set on by Marion Davies dressed as a bum. Unfortunately, his outfit was so reliable he was turned away.

Sometimes an histrion will believe that they are turning into the fictional character that they play. The disguise volition give them a assurance they don't have got in their ain lives. Before Dustin Malvina Hoffman was celebrated he used to follow film manufacturers into bathrooms, delay till they got into the stalls, microscope slide his caput shots underneath the door and run away. He almost blew his hearing for The Alumnus (1967) by getting nervous and grabbing Katherine Ross' breasts during his silver screen test. The insecure histrion became more than comfortable as he got outside his ain skin, especially when he played Dorothy Michaels in Tootsie (1982). Dustin was so convincing as a flirty southern belle that he actually fooled his uncomfortable Midnight Cowboy (1969) co-star Jon Voight in New York's Russian Tea Room. Their existent life brush was later turned into one of the film's funniest scenes. After the experience was over he didn't desire to be Dustin again. "Maybe there can be a subsequence where I give birth."

Another unsure star, Gregory Xiii Batch had his determination making powerfulnesses rise up respective notches when he played the statute title function in Douglas MacArthur (1977). Peck's married woman Veronique wished to purchase a new batch in Holmby Hills and wanted Greg's approval. Local occupants were amazed to see what looked like Douglas Douglas MacArthur chauffeured around in an unfastened convertible, wearing his full General's Uniform, complete with the tobacco pipe and dark glasses that he was celebrated for. When he arrived, Veronique began telling him about the property. After two proceedings he interrupted her,"Buy it!" He saluted, got back in the car, folded his weaponry and ordered the driver to travel on. Later the former Berkley pupil said," How bracing to have got got the General's determination making ability, Greg Batch would have dithered around for days."

Method actress Kim Hunter was shocked when she saw her chimpanzee make-up inch the mirror for the first time while playing Dr. Zira in Planet Of The Apes (1968). She actually started crying. "Oh my God. I'm not Kim anymore. I'm an ape." After she calmed down she turned in a great performance. The star of the movie Charlton Heston attended the Planet Of The Apes premiere with his married woman Lydia. Rare for a Hollywood prima man, Heston's matrimony have lasted over 50 old age without a intimation of an adulterous affair. A unusual adult female came running up to him. "Chuck, how are you? Nice to see you." She began hugging him and kissing him. "Hey, acquire off me lady," said Heston giving Lydia a bewildered look. Of course, it was Kim Hunter who Charlton had never seen outside her ape costume.

Heston and Hunter's Apes co-star Roddy McDowall kept his wit throughout the make-up ordeal. He loved driving down the 405 freeway in his full ape costume waving at the other autos while stuck in traffic. Roddy also had merriment at the disbursal of his old friend and Camelot co-star Julie Andrews. Girl Roy Chapman Andrews was working on the Twentieth Century Fox lot, near where workmen were edifice the Ape City. One twenty-four hours she was in her dressing room, agitatedly smoking a coffin nail talking to her analyst on the phone. "My Supreme Being these people here. I don't cognize who to trust. They're all trying to backstab me. Don't state me I'm paranoid! My Supreme Being there's a giant ape coming through my window!"

Arnold Schwarzenegger's surprise proclamation that he was seeking the Golden State Governorship brought to mind the many times Hollywood figs have got been involved in politics. Here are some related to anecdotes:

When histrions first came to Hollywood there were marks set up in presence of hotels and flats that said no domestic dogs or histrions allowed, with the performing artists ruefully complaining about not getting top billing. The insecurity of the community have come up through in political campaigns. When Ronald Ronald Ronald Reagan successfully ran for Governor of Golden State in 1966 one of the bootless tactics used by his resistance was a telecasting commercial message featuring Gene Kelley stating," In movies I played a gambler, a baseball player and I could play a Governor but you wouldn't really desire an histrion to really be a Governor would you?"

Ronald Reagan at one time was such as a Broad Democrat he drove friends to distraction with his views. One twenty-four hours in the mid-thirties he was driving a friend place from work, yammering on about President Roosevelt's New Deal policies. Ronald Reagan who was near sighted and an planetary driver at best, seemed unmindful to route conditions. "Ronnie, ticker out for that truck!" the friend yelled. Missing an accident by a hair, Ronald Ronald Reagan continued," Truck drivers, that's World Health Organization the New Deal will help!"

Like former President Reagan, Walt Walt Disney claimed to be a Franklin Roosevelt New Trader until a awful worker's work stoppage at his studio made him take a right turn. Although he campaigned heavily for Republican campaigners the sketch shaper kept friendly dealings with the other side. Walt loved giving personal tours of Disneyland, and enjoyed having former president Harry Harry Truman as his guest, even when his chap Missourian turned down a drive on Dumbo: Too much Republican symbolism.

Another mogul, Joe Louis B. Marie Goeppert Mayer the laminitis of MGM was a steadfast Republican his full life. Marie Goeppert Mayer never quite got over John Hope Franklin Franklin Roosevelt beating his good friend Victor Herbert William Hoover but accepted an invitation to ran into the Democratic President at the White Person House in 1933. Immediately upon arriving in the Ellipse Office Marie Goeppert Mayer surprised Franklin Roosevelt by pulling a clock from underneath his coat and placing it on the President's desk. "What's that for, Mr. Mayer?" "Pardon me Mr. President. I heard you have got got the ability to have a adult male in your hip pocket after 18 minutes." Brandishing his long coffin nail holder Franklin Franklin Roosevelt threw his caput back and laughed, then began chatting with the movie executive director . He was startled when after 17 proceedings the Mogul got up, grabbed the clock and left the room.

Another hard brush for the Roosevelt disposal was with Shirley Temple. Hoping to acquire people's head off the Great Depression the President was nonstop in congratulations of the moppet's movies saying that Americans should bury about their jobs by paying 15 cents to see "the smiling of a small girl". Both John Hope Franklin and Eleanor Franklin Roosevelt were so enamored they invited small Shirley and her parents to see them at their private estate in Hyde Park, New York. In the limousine Shirley received mixed messages from her Conservative parents. On the 1 manus they were thrilled to ran into the President and his wife, but they also hated their Big Government policies. Upon their reaching Mrs. Franklin Roosevelt graciously asked Shirley if she would wish something fixed on the barbecue. "Oh that would be wonderful," replied the kid star. As Eleanor walked out back, the impish Shirley took out a slingshot, checked to do certain cipher was looking at what she was doing, and nailed the First Lady in the rear. The Secret Service came running at the sound of her shout, looked around the place for possible interlopers but never thought about searching the angelic small film star, who had skillfully hidden her weapon. Dinner passed pleasantly and the Temples returned to their hotel. Only then did Gertrude Temple state her girl that she had seen her naughtiness, and Shirley got walloped.

Many Hollywood figs prefer to have got others talk for them. When Marlon Brando won the Academy Award for The Godfather (1972) he shocked the state by sending a Native American named Sacheen Littlefeather in his place, She used the international platform of winning the Oscar to blast the USA's treatment of her people( it turned out she was actually an imposter, she was actually a professional actress named Mare Cruz). There were many phone calls from the mass media for Brando to come up out and state his positions himself, but the recluse star refused. One rumour had Brando sitting alone in his brow house observation Toilet John Wayne movies backwards so the Indians would win.

Lotto System: How you can win lotto easily and automatically

In this article, we will discuss on "A personal interview with the

Honest Lotto System's creator, Ken Silver."

Q: Hi Ken, thanks for joining us in this interview. Before we talk
about your lotto system, tell us a little about your background.

Ken: It really all started with the lotto system. I first developed
the Honest Lotto System in the early 90's, and it sold really well
through direct mail. After a couple of year's success with it I wrote
a "how-to" manual about my experience and how others could do
it--which also sold well. In fact you can still buy it today. Then I
went on to sell it over the internet in the mid-90's and sales
increased massively. I wrote another, "eBook Secrets" about writing
How-To ebooks, and together my manuals have sold around 200,000 copies
from myself and other marketers who bought the limited number of
Rights like Ken Evoy (Make Your Site Sell) and Allan Says (The
Internet Warriors).

Q: Tell us how you developed your special lotto system.

Ken: Well, for several years in the early 90's I had been looking for
ways to turn the lottery to my advantage, and I studied a lot of
material. It was an interesting period. You wouldn't believe the
weird, off the wall theories out there. I even read one book that
claimed several thousand people could 'will' the numbers they wanted
through mass ESP (Extra Sensory Perception).

Q: Strange solutions indeed. How did you figure out your own system
then?

Ken: Through a lot of hard thought and lateral thinking. It helped
that my late father was a brilliant optical engineer, and some of his
analytical mathematical abilities might have rubbed off me! When I
found the "eureka" solution that seemed to work, I spent a further
couple of years researching and checking it. Although at that time I
had computers that might have sped the whole research process up, the
Honest Lotto System doesn't actually work on patterned or computed
numbers. So it had to be done by hand. Took a while.

Q: Why is your so system different that you couldn't use a computer?

Ken: I found that despite the blinding speed and computational
abilities of modern systems even back then, no-one had actually come
up with a way to predict a win from past draws. This was the
breakthrough for me. It simply told me this: That no-one can actually
predict winning numbers through analysing and extrapolating past
results. And when I realized this, it made my own system solution much
more valuable as a result. So, although it took a while to figure out,
suddenly I had found the 'missing link' to winning lotto.

Q: If you say that no-one can predict a win, how does your system work
then?

Ken: The system works mainly by eliminating the millions of number
combinations that won’t win. For example, you'll never see 1, 2, 3, 4, 5, 6 in a winning draw... that is pretty unlikely. And there are
countless other losing combinations too. My Honest Lotto System
identifies these bad boys, giving the winnable combinations
preference. Easy--once you know how!

Q. How is the Honest Lotto System different from other systems out
there, like Wheeling?

Ken: Wheeling just gives a variety of number combinations. It doesn't
make any distinction between good and bad number combinations, so most
times you are wasting your money on the many poor number selections in
there. With the Honest Lotto System, EVERY line has the best number
combination you can find, which hugely increases the chances of
winning. That makes it different from almost every other system I've
studied. (And if you find a system that works like the Honest Lotto
System, you can bet your bottom dollar that is was adapted from mine!)

Q: OK, that sounds good. But has anyone won with your system?

Ken: Yes indeed. The most recent was an Australian couple who won over
AU$280,000.00 using it. Many people have covered their costs, and as
well won smaller amounts up to $50,000.00. One of the main advantages
with my system is that you can be winning moderate amounts WHILE you
are waiting for the Big Win to come along--as it eventually will.

Q: Is waiting part of your system? Why can't we get the main prize
straight off?

Ken: What many folks don’t realize is that when a system like mine
can't predict a winning game (and this is why I call it "Honest Lotto"
because to my knowledge I'm the only system that admits that fact),
the next best thing is to 'wait in line' for your winning turn. So
what you're doing here is still winning while you're waiting for the
big one. The Honest Lotto System puts you in the line, right up near
the top of the queue. When the right combination of winning figures
strikes - you will have the correct number combination to win it. The
best thing about my system is that you don’t have to wait several
thousand years - as one academic predicted for other systems. It could
be just a small number of games before the right combination is hit.

Q: So we might have to be patient? That's hard to do!

Ken: Many people don’t have the patience to keep going, and going,
even when the draws go against them, but the real winners will
persist. There's a story I read in a book about the first British
Camelot lottery. Two partners in a double glazing window business took
out over a thousand pounds a week (that's about US$1400) to play the
game. They were almost broke at the 3 month mark, but - luckily for
them then - they won several million pounds! This is an extreme
example of how persistence pays off. Imagine how much quicker they
could have won using my Honest Lotto System!

Q: I was going to bring that up, Ken. Is there another way we can win
lotto quicker with your system?

Ken: Sure. Just increase the number of tickets you play. For example,
when I play in my country, I buy 120 lines. My chance of winning is
very much less - not very good at all in fact - if I were only able to
take out 2 lines a game.

Q: Are you saying you've got to spend a fortune each week then?

Ken: Definitely not. Every single line using the Honest Lotto System
gives you a better chance than any other system I know. But the more
lines you have in each game, the higher your chances become. So if you
can't afford many lines each week, you should maybe wait a month and
play then what you were going to spend each week. But I emphasis to
everybody playing any lotto game at all--make sure it is money you can
afford to lose. Because it might take weeks before you make it back or
get a major win.

Q: What do you say to those people who think lotto is bad karma?

Ken: Haven't heard the word karma for a while! Not many people
remember that over 50% of most State-run lotto game profits go back
into the community to help worthy causes. If you ever think you're not
helping your fellow man, think again. The community benefits from your
contribution.

Q: From your website and what you're saying here, you sure don’t sound
like someone trying to sell your system. You've covered the downside
of playing too.

Ken: I'm a highly ethical person - my wife's a pastor, so she keeps me
in line too :-) So it's really important to me that people get the
right balance of information to play right. That's why I've named my
system as an 'honest' concept, exactly because I bring up all the
negatives as well.

Q: Is this why you use the term "honest" a lot in your website?

Ken: Sure. Most other systems out there are highly optimistic about
you winning, but they're mainly based on guesswork and
wrongly-calculated maths. I believe mine is the first honest
representation of what you can and can't do with a system.

Q: Thanks for your time here. Is there a last word you want to say?

Ken: Yes, I'd like to say to all future Honest Lotto System owners
this... take a good look at my system. Don’t spend your last cent on
playing. And above all, keep going - - even when your wins are small
or take a while to come through. You WILL eventually triumph!

Q: Thanks! Readers can see Ken's Honest Lotto System website here:

That's all.

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