My Black jack code

Blackjack is one of the most loved casino games out there. Yes, you can take some time off from work and traveling out to Vegas to play or one of the many littler casinos scattered around the country. Or, you can simply play online blackjack. Yes, you can play your favourite casino game right from the comfortableness of you place or maybe even at the business office when the foreman isn’t looking! Online blackjack is just as merriment and ambitious and gives you the same haste as the existent version. Online blackjack is at your fingertips this very moment!

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What's the first thing that comes in your head when you believe of MIT, the world-renowned Massachusetts Institute of Technology: technology genius, mathematical wizard, visionary, geek, hacker? If you chose any 1 of those, you would be correct. Mix them all together, add some fume and mirrors, big-time anonymous investors, a elan of lawlessness for good measure, and you acquire one of the best cozenages of all times—the Massachusetts Institute of Technology Blackjack Team—the ultimate in high stakes, genius-backed hacking! Infamy is nil new to MIT. Some of the world's wiliest hackers hailed from the sacred halls of MIT; but when one talented mathematics professor and six talented pupils banded together, they propelled organized hacking to dizzying high and snookered organized gambling to the melody of millions! That was sweet music to the ears of billions who have got got left behind little fortunes in their pursuit to beat the casinos.

After school club

The Massachusetts Institute of Technology Blackjack squad began as an after-school baseball baseball club held in campus classrooms where pupils assembled to use their mastermind to card games, unwind (at least, by Massachusetts Institute of Technology standards), and have fun. The baseball club eventually evolved into serious business. The squad set up a complete resistance system of casino mock-ups spanning apartments, warehouses, and classrooms scattered across Hub Of The Universe where they worked diligently to perfect their scheme. Before advancing to dwell play in the casino, each player had to go through a strict battery of diagnostic tests encompassing all of the functions under fake casino conditions, including distraction and harassment. Still, they were not ready for the large conference until additional honing their accomplishments in Boston's Chinatown before heading to Las Vegas.

Card Counting

Card counting, the bosom of their system, is a proved winning technique. Blackjack likelihood offering the 1 chance for those with skill, dogged determination, and subject to consistently beat the house. The casinos cognize that Blackjack is vulnerable (that smart, disciplined players actually have got a combat opportunity of winning), and that is why they ban the large winners and harass and endanger possible large winners.

Casino direction additional understands that it takes lone one or two errors to turn a player's winning system into a house win, and that is the only ground that they endure card counting—until it turns against them. They trust on human frailties, such as as deficiency of subject and distraction, to go back the advantage to the house.

The Massachusetts Institute of Technology squad used card numeration as the foundation of their system; it was only one among a figure of tools in their charming tool box, and even then, it wasn't traditional card counting. It added a high-low system, based on the statistical chance of receiving high or low cards, and they added an additional technique for cutting the cards that further skewed the likelihood in their favor.

Team members traveled together, seemingly as entire strangers. Each assumptive 1 of a figure of well-crafted sham identities, the squads included respective types of players, each member playing a well-defined role. Anonymous investors provided the interest and expected a tax return on their investment. One such as outing netted a 154% ROI after expenses. Transporting immense amounts of cash back and forth was another obstruction they overcame with ingenuity. Cash traveled in every conceivable manner: strapped to bodies, on "mules," in hollow crutches, just to call a few.

High Technical School volts Low Tech

Their reign spanned a good portion of the 1990s when they traveled the casino electrical circuit with entire abandon. Their $400,000 winning weekend in Las Vegas is legendary. Casino engineering was not yet at a phase where it could fit humors with Massachusetts Institute of Technology genius. At least, it had not made its manner to practical application in Las Vegas, Ironically, it would be low-tech sloppiness that brought the squad down in the end.

The casinos had learned to cover with the card counters long before the Massachusetts Institute of Technology pikers hit the scene. When they identified a card counter, they would guarantee that his play at the tables was a life nightmare, and should the card counter take the house for a big sum, they would immediately ban him. Technology in the 1990s had matured to a point where bad intelligence traveled fast. When the card counter was detected at one casino, it became nearly impossible to get away sensing at any other casino.

Profiled Massachusetts Institute of Technology Blackjack Team

Las Vegas casino foremen relied on a long-established profile of the Blackjack card counter, but since the Massachusetts Institute of Technology squad ran counter to the profile, that also worked in their favor, helping them to get away detection. The profile assumed one alone card counter. The team's nonchalant, seemingly random style of play also ran counter to the profile. But they were crazy like foxes—until they were no more.

Finally, slovenliness brought them to their knees. Eventually, they lost their subject and their cool; the well-oiled machine built with the preciseness of a Swiss ticker began to fall apart. They began to fraternize, and not just with the usual Las Vegas temptations, but with each other—in public. A sum opportunity spotting of the squads relaxing and playing at a Las Vegas pool blew their cover. The narrative of their unraveling lesion its manner dorsum to the back streets of Hub Of The Universe before they finally disbanded. The likelihood had finally turned against them, and the bet were far too high for even the geniuses from MIT.

The last remaining squad player was escorted from the table with the farewell words, "You can't play here. You're too good for us."

Blackjack Team in the News

The narrative of the Massachusetts Institute of Technology Blackjack Team doesn't stop with its demise. ABC, CNN, History Channel, and CBS's 60 Minutes all picked up the story. Bringing Down the House : The Inside Story of Six Massachusetts Institute of Technology Students Who Took Vegas for Millions (Simon & Schuster Adult Publication Group, 2002), by Ben Mezrich, chronicles the adventures of the squad from its origin to the end of the line through the eyes of squad member, Kevin Jerry Lee Lewis (not his existent name). One enterprising former member currently offers seminars based on the system.

The concluding sarcasm have yet to play itself out. Kevin Spacey is producing the film version of the book, owed to be released by MGM sometime in 2006. One have to inquire if the film will assist MGM retrieve its losings to the Massachusetts Institute of Technology Blackjack Team.

Texas hold’em is the most popular of the community card poker games and in western United States it is the best poker discrepancy played in casinos. Though the game can be played by up to 22 players, it is usually played with between two people or ten. Texas hold’em is considered the most positional of all poker discrepancies as its betting order is fixed throughout all betting rounds.

A stopping point expression at Texas hold’em

Posting the blinds
The celebrated game in community card poker, Texas hold’em starts with two players to the left of the trader keeping out some amount of money which have been decided earlier. This is the initial money to acquire the game started and is referred to as Posting the blinds. (http://www.ecardscasino.com)

• The complete deck of 52 playing cards is shuffled

• Pocket cards: Each player is dealt two cards face down which is your hole or pocket cards

• The individual to the left of the two who posted the blinds will get the unit of ammunition of betting

• You can check, rise or fold up like many other poker games

• To avoid disgusting play, the trader discards the top card of the decks soon after the betting units of ammunition end

• Three cards which are faced up come up on the table. It is called floating-point operation and are handled by the dealer

• Feel free to utilize it in combination with two pocket cards to constitute a poker hand

• The adjacent betting session starts with the player who is on the dealer’s left

• Again, the trader Burns another card and tosses more than onto the table. Called the bend card, players can utilize this 6th card and word form a five card poker hand

• There’s another unit of ammunition of betting starting from the player on the dealer’s left. The trader Burns a card a maintains the concluding card on table called the river. You now acquire a opportunity to utilize any of the five table cards or two pocket cards to constitute a five card poker hand.

• After the concluding unit of ammunition of betting with the player to the left of the trader starting first, all the players who’s inch the game uncovers their hands.

• The player who sit downs left to the last player phone calls first

• The player with the best manus wins

Holdem is an easy game to play but takes sometime to master. The best manner to larn the game is to play free at the start and then play for money when you experience you are ready. Check out first-class poker suite for preparation yourself in Texas hold’em.

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Having played a just amount of blackjack (I learned card numeration when I was 21), I’ve noticed some interesting forms in the manner people play the game that look to reflect bigger life patterns.

Background Story

Feel free to jump ahead to the “Interesting Observations” subdivision if you just desire to read the lessons. This portion simply supplies some background information for the curious.

When I was 21 old age old and life in Los Angeles, some friends and I decided to take a weekend trip to Las Vegas, my first trip there as an adult. I decided to read up on some of the casino games before I went, so I could be prepared.

I quickly learned that most of the casino games were skewed to give the house an advantage — how partial is that? — but blackjack was supposedly beatable if you learned a technique known as card counting. So I bought a book on blackjack, learned the rules of the game, memorized the basic strategy, and then studied a simple +/- card numeration system. It took a heck of a batch of pattern and was boring to learn, but I eventually felt comfortable with it. Then I was off to Vegas to seek my fortune with a humongous $40 of gambling money. Not much of a bankroll I know….

My friends and I stayed at the Aladdin Hotel (before it was demolished and rebuilt). Since there are many fluctuations on blackjack rules, I scoped out the nearby casinos to happen one that had the best player-favorable conditions. That turned out to be the Barbary Seashore on the Strip (across the street from Caesar’s Palace), which had a nice double-deck game with broad rules (the fewer the decks, the better for the player, all else beingness equal). Asset they offered a $2 minimum, so my $40 had a opportunity of lasting. $400 would have got been a more than adequate bankroll for that limit, but at the time I didn’t desire to put on the line $400.

I felt a spot intimidated playing blackjack for the first time in a existent unrecorded casino. But I trusted I was as prepared as I could be, so I sat down and dove in. The readying paid off, and after a few proceedings I began to experience at ease. Aside from making a few minor etiquette mistakes, I played my hands perfectly and had no problem keeping path of the cards. After a few hours of playing I had turned my $40 into $165 while betting only $2-10 per hand… making more than adequate to pay for my trip expenses. This was during the time when you could still happen counters for about $5.

After that first trip I was hooked on the game, not so much for the money but for the challenge of it. Card numeration appealed to the swot in me far more than than the entrepreneur. I made many tax return trips to Vegas and played in tons of different casinos all around the city. One of my favourite places to play was the Frontier Hotel, which used to have got a single-deck game with generously player-favorable conditions. That was very moneymaking until they changed their rules, like many other casinos eventually did, probably in big portion owed to card counters.

Between Vegas trips I studied blackjack and card numeration ever more than deeply. I read 10-12 books on the topic and mastered different numeration systems (Thorpe, Uston, Revere, etc.). I practiced advanced counting systems that maintain a side-count of aces. I drilled myself until I could number down a deck of cards in under 14 seconds. I learned to change the play of hands according to the count, memorized optimal schemes for different rule sets, and learned the nuances of the game that would increase my border even the slightest degree. We’re talking a sum border of maybe 1%.

As I gained experience, I became comfortable doing all these mental gymnastics under existent casino conditions. I learned to play cat-and-mouse with the cavity bosses. I even got a batch of comped repasts for myself and my girlfriend (now my wife), although we got tired of eating at the same places over and over. Casinos have got grown stingier with the comps, but back then you could play $5 blackjack for about 30 proceedings and acquire a free counter for two without much trouble (and without being asked to fall in a players club).

Card numeration isn’t illegal, but casinos will kick you out for it and sometimes ban you for good. Fortunately I was never banished for life anywhere, and I was only kicked out once (from the Barbary Seashore of all places). Mostly this was because I played only in the $5-25 or $10-50 scope of betting… too little for the casinos to care much. At that degree I certainly wasn’t going to acquire rich, but I was doing this more than for merriment than for profit.

The amusing thing is that now I dwell in Vegas, I hardly play blackjack at all… I’ve played only twice this whole twelvemonth for a sum of about 45 proceedings (and won both times). Even though I establish that card numeration worked, I never seriously considered trying to do a calling out of it. For one it’s very difficult work, and for another it doesn’t lend anything. I still bask blackjack as a recreation sometimes, and I like meeting people from around the world at the table, but I wouldn’t desire to seek to do a life from it.

Interesting Observations

While learning to get the hang the game of blackjack, I made a figure of observations in the manner players approached the game, especially the direct contrast between novitiate and expert players. Most people who play blackjack are novitiate or intermediate players. During all the times I played blackjack, I felt I had identified another card counter at the same table with me on lone two occasions. In both states of affairs we could each state the other individual was counting cards, and we gave each other knowing looks. But card counters are extremely rare as a per centum of entire players… way, manner below 1%.

1. Novices will do right determinations most of the time. About 80-90% of the time, novitiates will play their hands the same manner an expert player would. But the house additions a large advantage on the 10-20% of determinations they don’t do correctly. That 10-20% do all the difference in the world between winning and losing because it’s cumulative. How is this different from other parts of life? An other 10% do a large difference. Eat 10% less food, and you lose weight. Save 10% of your income, and you retire a millionaire. Spend 10% of your twenty-four hours on some cardinal goal, and by the end of the year, you’ve written a book, started a business, or establish a mate.

2. Novices lose aureate opportunities. Novitiate blackjack players will almost invariably play their hands too conservatively. They’ll base too often when they should hit, and they’ll neglect to duplicate down and split braces as often as they should. They waver to hit 16 against a dealer’s Seven or to divide a brace of 2s against a dealer’s 4. They give up a batch more to the house by playing defensively, trying not to bust. But expert players work every chance to maximise their wins, meaning that they’ll two-base hit and split far more than often when the likelihood prefer doing so. Expert players will flop more often, but they’ll also hit their large hands more often. You see a similar form in life too. High winners will flop more often, while underperformers play too conservatively, afraid to take calculated hazards for fearfulness of losing what they have. In blackjack, it’s those divides and dual down hands where you do your existent money. Novitiate players believe it’s the ten-ace blackjack manus that’s the best — the bonded win. Expert players cognize it’s those hands where you divide braces 4x and dual down on each 1 and see the trader bust, winning 8x your original stake (but also risking 8x) instead of the mere 1.5x you acquire from a made blackjack. The large wins come up disguised as refuse hands, like a brace of 3s. So it is in life — existent chances come up disguised as problems.

3. Novices don’t set in the time to fully understand the game. Expert players understand the game inside and out because they’ve invested many long hours studying it. Experts work harder. Novices have got a strong apprehension of certain parts, but their cognition is very fuzzed in other areas. They often acquire confused on how to manage states of affairs that originate infrequently. But eventually those states of affairs make arise, and that’s where novitiates lose. Novices can’t manage the exclusions as well as the experts. But aside from a deficiency of understanding, novitiates also have got some false understanding. If you could play blackjack and be dealt an 18 every hand, would you make it? A novitiate will usually state yes, thinking 18 to be a pretty good manus because a trader have to hit 19-21 to beat it. But an expert player cognizes that 18 will lose more than often than it will win — if you have got an 18 every hand, in the long run, you’ll lose money. Experts have got a more than accurate apprehension of the strengths and failings of each manus than novices. It’s the same with life. Novices don’t take the time to get the hang the basics, like goal-setting, time management, motivation, and self-discipline. They make all right most days, but whenever an exclusion happens such as as the loss of a job, they’re thrown completely out of whack, and it takes them a long time to recover. You can throw a bankruptcy or a divorcement at certain people, and they retrieve quickly and then maintain on going. But novitiates are more than likely to let impermanent reverses to float into long-term ruin.

4. Experts are more than disciplined. Novitiate players be given to play their hands inconsistently. When the same state of affairs arises, they often do different determinations with no rime or reason. They exhibit mediocre subject and will often imbibe alcoholic beverage while playing. Experts understand that you can do the right determination and still lose, but they concentrate on making right decisions, not on trying to coerce a peculiar outcome. Experts have got the forbearance to cognize that making right determinations is all it takes to win in the long run. You see this in existent life too, don’t you? Achievers be given to be more than consistent in making determinations and taking action; they concentrate their energy. Underachievers, however, waste material their energy, never applying adequate military unit in a consistent way to convey about a breakthrough.

5. Private triumph predates public victory. Novices larn how to play in the casino. Experts larn how to play at place and then use their cognition in the casino. Experts pass a batch more time practicing, which takes enormous patience. Their existent triumphs are unseen. Talented people who execute in public have got often spent many old age honing their accomplishments in private.

#2 is the observation I happen most applicable to business. Even winning blackjack players will lose most of their hands. They typically win about 48% of the hands they play. That’s just the nature of the game; you’re going to lose more than hands than you win. But on norm the winning players will wager more than money on the 48% of winning hands than they will on the 52% of losing hands. These larger stakes are made in two ways. First, with card numeration you can acknowledge when the deck composition is in your favour and when you’re More likely to win than lose, so you increase the amount of your initial bet. But also you can acknowledge states of affairs to duplicate down or split braces where you can increase your stake after you see your first two cards.

Novice players lose chances in these same two ways then. They don’t cognize when the likelihood are in their favor, so they don’t cognize when the statuses are right for a larger initial bet. And secondly, after they see their first two cards, they don’t cognize when it’s A good thought to set more than money out. And by missing these two key opportunities, they lose money in the long run, typically giving the house around a 5-8% edge.

How makes this lesson use to existent life? Life isn’t about the measure of successes and failures you experience. You also have got to see the magnitude. When you comprehend the statuses of your life are mature for success in some area, that’s the time to wager big. Asset there are also states of affairs where you have got the opportunity to see what results you’re getting, and if they demo promise, you can raise your stake even higher.

For example, say your end is to happen a long-term relationship. When the statuses in your life propose you have got A better opportunity of succeeding at this end than you did in the past, that’s a great time to force yourself. Perhaps you have got a stable occupation and money in the depository financial institution and your wellness is great. It’s time to place a large stake by focusing difficult on your human relationship goal. Go out on a batch of dates. Ask! Don’t sit down on the outs of-bounds waiting and lose the opportunity. It will be a batch harder to accomplish this end under less optimal conditions.

And then when you happen a individual who looks compatible with you, dual down and raise your bet. Find ways to pass more than time with that person, and set your lesser ends on the dorsum burner. Don’t disregard the chance to turn closer. Strike while the Fe is hot. Rich Person a batch of merriment together. Construct your human relationship when the statuses make it easy to do so.

When the statuses in your life are right to seek out chances instead of merely holding your ground, acquire out there and take advantage of them! And when you start getting promising results in some country that show you the likelihood are in your favor, pushing yourself to capitalise on the state of affairs as best you can. Don’t sit down around waiting and waiting.

Sometimes the statuses in your life aren’t right for going after opportunities. Maybe it’s A battle just to hold your land or to delve yourself out of a cavity you happen yourself in. Be patient and remain your course. Eventually there will come up a time where things are going your manner again. And when that happens, make NOT let yourself to be complacent. Everyone loses when the deck is stacked against them. But the greatest losings come up not from the no-win state of affairs but from the could’ve-won-but-failed-to-act situation. Could’ve started the concern but didn’t. Could’ve gotten the day of the month but didn’t. Could’ve lost the weight but didn’t.

As in the game of blackjack, the could’ve-but-didn’ts are the greatest also-rans in life. Don’t fall in them.

Here’s A related to station you may enjoy: Life Lessons From Poker

Blackjack Basic Strategy, played perfectly in a game with advantageous rules, will cut down
the border against you to about one one-half of one percent, the best likelihood of any game
in the casino.

But still - it's a negative edge. While you can win in the short term on any given day,
in the long term that one one-half percentage border against you will eventually crunch you
down if you play long adequate and frequently enough.

An advanced basic strategy - or what we name Basic Strategy Plus - is necessary for
you to step up from being a insouciant player to being a serious recreational player who
have a better opportunity of winning over the long term.

To cut down the little border against you with Basic Strategy even further, and at times
even turn it into a positive border in your favor, you simply must pay attending to
the cards on the table and develop some sense of the proportionality of high
cards versus low cards remaining in the deck. This is exactly what a card
counter does.

But you don't have got to pass the 100s of hours it takes to go a adept
card counter. You can acquire a general sense of the proportionality of high versus low cards
by doing something called "counting the table".

Counting the table simply intends that in any given hand, you look at the open
cards for all hands on the table (including the dealer's hand). Bash a speedy count
of all the high cards (tens, jacks, queens, kings) and all the low cards (2 -
5). There are an equal figure of these high and low cards.

If there are a much bigger figure of low cards showing than high cards (at least
6 more than low cards than high cards in a six deck game), opportunities are that the deck
now is slightly richer in high cards, which is advantageous for the player. Conversely, if
there are many more than than than high cards showing than low cards (again, at least six more),
opportunities are the deck is now slightly richer in low cards, which is bad for the
player.

Armed with the information gained from this speedy table count, you can now set
your play accordingly and thus be playing a small more like a professional.

For example, there are some basic strategy moves that are so fold that they could travel either
way. If you are doing a table count, you have got further information that may
bespeak a alteration in what basic strategy states to make in certain of these stopping point phone call
situations.

To illustrate, let's take the illustration of one of the most awful hands in Blackjack:
your 16 count versus the traders 10 up card. Basic strategy states to hit your 16
against a dealer's 10, but this is an extremely fold call. You very badly necessitate a 4 or
5 in order to bind or win if the trader also have a 10 card down.

So, using the table count, here's what you do. If the table count shows at least 6
more than low pressures than highs, then stand up on your 16 against a 10. A disproportional
amount of low cards have got been dealt and this take downs your likelihood of getting a low card
to point where you should now stand up with your 16.

There are respective more than than stopping point phone calls with Basic Strategy that tin be refined additional
with Basic Strategy Plus, as well as other determinations that tin now be made more
intelligently and these are explained in item on the author's web site.

Good luck!

It travels without saying but we'll state it anyway: the likelihood are always in favour of the house. How else make you believe they can make billion dollar mega-casinos inch Las Vegas? The Blackjack rules are carefully structured to guarantee a house edge.

But just how heavily are the Blackjack likelihood weighed in favour of the house? If you're a smart player, not as great as you might believe - and certainly not
insurmountable. Let's start with some basic facts about Blackjack likelihood with the
most common Blackjack rules.

The house's advantage - also known as the house border - come ups from the
fact that the dealer's manus is played last. All players that flop (go over 21) lose immediately. Then, the trader plays its manus and if the trader busts, players that don't flop are paid. The casino do its net income from the fact that players who flop lose immediately, even if the trader subsequently busts. Regardless of how advantageous the Blackjack rules might be in a peculiar casino, this 1 facet always gives the house an edge.

If you, the player, usage the same strategy as the dealer, standing on 17 or higher and hitting on 16 and less, you will flop approximately 29% of the time and the trader will flop 29% of the time. This would seemingly do the likelihood even.

Ah, but remember: Blackjack rules state that the trader wins the stakes of all players that bust, even if the trader busts. This put option the house's border against you at about 8% Oregon so. However, since you are paid three for two when you acquire a
blackjack dealt to you, so this cut downs the house border down to just under 6%.

If you follow all the Blackjack rules and play perfect basic strategy the
house border is reduced to about .5% inch game with advantageous rules. By
advantageous rules, we intend the following rules, which you are only likely to happen in a 6 deck game:

* Trader stand ups on all 17s

* Double down on any first two cards

* Double down after splitting pairs

* Natural pays the proper 3 for 2 odds

Many games have got elusive fluctuations of these rules, some of which assist the player and others which ache the player. Taking the above rules as the baseline, here are the common fluctuations you will happen and how each 1 impacts the house edge. Positive values add to the house border and negative values lessening the house edge.

Eight decks: +.02%

Natural pays 6 to 5: +1.45%

Dealer hits soft 17: +.20%

Double down on 9-11 only: +.09%

Double down on 10 or 11 only: +.22%

No dual after splitting pairs: +.13%

Double down on any figure of cards: -.21%

Resplitting of Aces: -.06%

Of course, your end is to avoid the unfavourable discrepancies (one which add to the
casino's edge), such as as: Naturals pay 6 to 5, or Trader hits soft 17. To cipher the border against you in any blackjack game, simply take the baseline border of .5% and add or deduct the values of the variants.

For example, presume you happen a 6 deck game in which the Trader hits a soft 17 and you can only dual down on a two card count of 10 or 11. This game have a house border of: .50% (baseline) plus .20% (for trader hits soft 17) plus .22% (for dual down on 10 or 11 only), for a sum house border agains you of .92%.

Your occupation is to look for those games with rules that give you the best odds. Good luck, gamble responsibly and always retrieve that it's just a game - so have got fun!

You’re sitting at the pianoforte playing your favourite song but you can only play the short letters on the sheet music in presence of you. You long to play that song the manner it is running in your caput but you just don’t cognize where to begin. Bashes this sound like you?

Years ago Iodine could only play the music in presence of me. I knew the sound I wanted but I couldn’t understand how to play it. Then one twenty-four hours I was listening to a cadmium of some favourite melodies and I could acknowledge what the piano player was doing. In a nutshell he was playing the scale of measurement short letters in between the melody! Along the manner Iodine discovered there was a spot more but I have got it down to formula that plant for me now.

1.Sing the song first: Even though at first I was only improvising on songs I already at least had a tune line and chord for, I now improvise a figure of songs in my caput before even sitting at the piano. Many times your creativeness with a song will halt at your fingers. If you sing/humm the song first you will detect a batch more creativeness occurrence because you were adept with address first.

2. If you can’t do it then bogus it: If you’re having jobs coming up with your ain tunes, bend to a sham book and start your improvising there.

3. Don’t be afraid to utilize the whole piano: Next time you are around a good pianist, state the 1 at your favourite section store, notice how they will make respective runs up and down the piano. Or how they play those fantastic deep short letters in the bass of the piano.

4. Don’t acquire deter by your first results: You’re not going to sound good at first. Well you might but since 99% of us won’t just travel with the flowing and don’t give up.

5. Keep at it: You will acquire better with time. Practice do perfect or at least much better sounding.

Some things to maintain in mind. If you aren’t already familiar with chords and scales, acquire to cognize them. This volition greatly increase your improvising abilities. Invest in some good acquisition tools, for this. Books or videos the pick is yours. Choose depending on your acquisition style.

Learning pianoforte chords can assist you in all your pianoforte playing. For me chords are the easiest manner to play and the simplest manner to embroider my playing.

If you have got no semblances of grandeur and you just desire to play your favourite melodies on the pianoforte chords can acquire you there fast!

It would assist if you also knew a small music theory like how your scales of measurement are made but once you acquire that down you can really travel places with chords.

Chords, chords, chords.. I love them! And now when I'm playing some hard pianoforte piece I can actually look at my hands and see the chords I'm playing even though they are not notated that manner on my music. Mostly now I believe in footing of chords rather than individual notes.

I could reinvent the wheel here and give you the theory on creating scales of measurement and chords but there are plenty of free pianoforte lesson sites on the cyberspace that make a very good occupation of that. You might have got a challenge in choosing the right 1 but if you would wish to cognize specifically about chords I propose you set that into your hunt also.

There is a whole world of chords out there and I promote you to look into them. It can really stand out and excite your playing.

Incidentally chording can also take you to play by ear....stay tuned.

A twelvemonth ago, I wrote a passionate article on the virtues of charging $15 when you sell your CDs. Some of my logical thinkings included: It's tough for indie instrumentalists and you have got a good music, so don't short-change yourself; you can always price reduction the cadmium for particular grounds (2-for-1 special); and, the "high" gross sales terms also includes your assorted expenses. I made a few addendums, but that's the effect of it.

But now, if you head over to http://mp3.com/thebards and bank check out the Brobdingnagian Bards page at MP3.com, you'll detect something kinda hypocritical...none of our CDs are priced at $15! What gives??

Well first allow me say, yes, I make still believe in a $15.00 gross sales terms for many artists. Certainly, it works best for common people artists, and singer/songwriter types. But my ground is not lip service it is a dramatic alteration in our selling plan.

You see, when we started out, I knew that the lone "real" income available to indie instrumentalists come ups from cadmium gross sales and selling since royalties from ASCAP and BMI are a joke. So our program was to enter every 6 calendar months or less and set out new material. By then stop of last summertime the indie procedure was leaving us drained, and we were thinking we overextended. Then along come ups MP3.com.

One of the things I've been raving about for the past few calendar months is that MP3.com offerings a new selling theoretical account by offering "royalties" for listens to your music. And if you're getting paid from people listening to your music. Then it necessitates to be readily available right?

Well, we've followed the footfalls of many of the top MP3.com people and have got about 40-50 paths available on our site and more than are coming every week. In doing so, we do a solid $20 a twenty-four hours from our site.

Now with each listen, the songs are tracked on MP3.com on their music charts. You sell a CD, the songs on that cadmium will rocket up the charts. So you desire the CDs to sell, because higher charting bes higher payback. Thus, our low terms on MP3.com.

Now believe for a second. If you have got 40 songs on your site like the Hillbilly Hellcats, you're most likely departure to do your 15 alone listens because your songs are located all over the charts. There are plenty of songs to take from. Thus the new selling theoretical account no longer trusts on cadmium gross sales of $15.00, but listens. When you recognize that you open up yourself up to a whole batch of, in my opinion, simple merchandising tactics that volition do you more than money from listens than selling CDs from your website.

I cognize this all looks simplistic, but the huge world is most people on MP3.com are still running their set with an aged selling theoretical account that makes not give the peak payback. So think about that for a bit, and adjacent week, I have got a invitee author who will give you an exciting promotional thought that could direct your listens over the top. Then the hebdomad following that, I'm going to betray my secret that have my song "Tolkien" at #35 on all MP3.com...

Stay tuned. Same bard time. Same bard channel!

The recent changes in the payback formula at MP3.com had catastophic results to indie artists everywhere. My band, the Brobdingnagian Bards, was making over $100 per day when the system dropped out from beneath us. But you know, it didn't hit us as hard as many artists.

The reasons is that about two months ago, I saw the changes that were happening and decided to make a change in my own marketing procedures. Vivendi was taking charge. They want to hinder free downloads and keep CDs viable for as long as possible. Alright, so we need to sell CDs. How do we do that?

That's when I started surfing to the masters. Fellows like Jim Daniels of BizWeb2000.com, and even to some of the SPAM marketers.

You see, I read a book on ad copy about a year ago, and I started to understand what these people do. Sure, when you head to some SPAM marketer webpage, you see ad copy three pages long that doesn't tell you jack. It kinda beats around the bush. But you know what...some of that stuff ACTUALLY SELLS!

It's true. Ad copy for your CDs is all about convincing your potential fans to buy your albums. It's easy to write because all you need to do is tell your fans what you think is so great about your album. Why do they want to buy your album?

No, you don't have to write ten pages to sell your CD. Just write one. Or head over to our Celtic Wedding CD page. I setup that page in late July of 2001. Since then, our wedding CD has been our best selling CD. What does it do that is so special?

Not much. It directs traffic to the site. Tells visitors about the CD. It gives them free samples to listen and download. Offers a few testimonials. And it tells them why I think our CD is the perfect album for someone who is getting married or just in love. Finally, it gives them something extra. That's all ad copy is. And it works!

Hey, follow my example. Steal my ad copy and cater it to your own needs. And start selling CDs.

We all cognize that off-line promotion is just as critical as on-line promotion. But what other agency of "off-line" promotion can you make other than mailing out your Circular or Newsletter? Alot. We could travel into Media, Radio, Television and others but that is another subject in itself. Postcards are the "new" moving ridge of off-line promotion, or direct mailings. The costs incurred are far much less than those of traditional direct mailings. Postcards, leave of absence out the other extra’s sorta speak, no envelopes, no envelope stuffing, and the postage stamp stamp is half the cost of first class postage on a criterion letter, while still obtaining first class handling through the United States Postal Service.

I myself, have got had rather good results from my postcards mailings, and wanted to share some tips with you on how you can successfully advance your website, CD, or event effectively with Post Cards.

Don’t make what many postcard Mailers do: They set a terrific designing and/or newspaper newspaper headline on the image side of the card and nil but the computer computer address on the address side, and many people never see the eye-catching design or headline. All they see is the computer address side - the side that’s facing up when the mail bearer presents it. Because people always look at the computer address side of a postcard to see whether it’s for them, they may make up one's mind to throw the card away without turning it over. That’s wherefore BOTH sides of a postcard should sell. The computer address side is where you desire to set your newspaper headline or attending getting graphic.

The disadvantage of a postcard is that space is limited. You must be able to present a very concise message that elicits the desired response from the recipient: You necessitate to derive attention, excite interest, arouse desire, and do the prospect take action. That’s alot for a small postcard to accomplish. That’s not to state it can’t be done; its just more than difficult. Postcards are a good manner to construct consciousness and excite interest. You’ve really got to hit the nail on the head.

Watch your ain mail. You probably acquire dozens of postcards in the mail from magazine publishers, web host companies etc., urging you to subscribe or "try" our service. These postcards are among the best beingness used today, survey them carefully, maintain them. Even other Artists Post cards that you pick up here and there, Keep them, survey them. Then sit down down and inquire yourself the following:
1) what about this card make you like? 2) Colors used? 3) What’s written on the computer address side? 4) What stand ups out more than than anything on the card a graphic, text, or color.

Once you have got got got studied the cards you now have, you will have a better thought of what you desire your cards to look like. Ask yourself, what am I trying to accomplish? Website traffic? Selling CDs, or denote a event? Take all these into consideration, prior to determination the pressman or graphical interior designer to develop your station card. These are the exact inquiries they will inquire you.

Then once your ready, acquire them designed and printed. Two great companies that I have got got establish and have used are Digitalwork.com and 1800postcards.com/ Both of these companies run specials, so when you see the particular hang-up it you will salvage money.

Have you seen the new Kevin Spacey movie, Pay It Forward? I'll state you, I loved the movie. I'm an idealist. So seeing an "idea" rocketed forward to me is beautiful.

For those of you who haven't seen it, it's about a male child responding to a class duty assignment come ups up with basically an thought to improve life. Basically, he finds to assist three people in a "special, life-changing way". But instead of having them pay him back for his kindness, he tells them to pay it forward, that is, to assist three people in a life-changing manner. Then they necessitate the same pay it forward philosophy. It's a beautiful illustration of... well, web marketing.

Well, I left the theatre inspired, thinking, "How can I establish this in my life?" With MP3.com's help, I came up with "Play It Forward". It's an cyberspace radiocommunication station. But using usage HTML, I designed a station designed to advance your music.

On the Brobdingnagian Bards MP3 page, it reads, "Is there a song here that you really like? Play it forward and share it with your friends. Your friends and we will both give thanks you."

Since posting that nexus we acquire an other 2-5 more than electronic mail chink throughs every twenty-four hours from people "Playing It Forward". And that is very personal manner to acquire more than people listening to your music.

Now assist us out and play this article forward!

PS. If you desire to really take advantage of this great idea, I establish a secret website that have achieved astonishing results with this very idea. Don't lose out... chink here!

If you are just starting out promoting your band, if you have no fan base, or if you just want to attract fans who like your style of music, then start publishing a Genre Ezine.

Genre ezines are electronic newsletters catering to your style of music. Unlike band newsletters, they are not limited to your band's music. Instead, they promote every band that is similiar to your band and your style of music. By promoting a genre, rather than your band in this style of newsletter, you will attract people who might be extremely interested in a specific style of music, but aren't interested in you...yet. And best of all you, you are in control.

I publish the Celtic MP3s Music Magazine, a free weekly ezine of free Celtic music downloads. In every issue, I promote two songs from two Celtic bands on MP3.com. I add these songs to my MP3.com station, entitled "Celtic Muse: Song of the Week". And once a month, I give away a free Celtic CD to subscribers.

The newsletters is short, sweet and too the point. My list has grown mostly from Celtic music lovers who are looking for free CDs. They stick around because they are enjoying the opportunity to hear new, free Celtic music every week.

And at the bottom of every issue is printed the name, "Brobdingnagian Bards". Of course, there's a link to our website, and I also provide a signup form on our Bard homepage with links to my other newsletters. Most of the time when someone subscribes to one ezine, they'll subscribe to another as well. Plus, whenever someone first signs up, they can "start hearing great Celtic music now"...our music of course.

The point is that we are now not only the sponsors of the newsletter, but we define what is "great Celtic music" for our subscribers. It gives us credibility, and likewise gives the 'zine credibility if they like our music.

Thanks to the newsletter, we've seen an increase in sales, and of course, our songs are always at the top of the MP3.com stations so we get more listens than other bands on our station. And as an affiliate of MP3.com, I also get paid every time someone clicks one of my links.

In all, the Genre newsletter is a fantastic, easy-to-manage way of attracting and marketing to people who like your style of music without bothering them whether they'd be interested in YOUR style of music or not. Give it a try. You could make a new fan.

A couple of my groupings favourite Celtic Language sets are Enya, Loreena McKennit and the Chieftains. I think I kinda liken the Brobdingnagian Bards to these groups. Like Enya, we play some beautiful romanticist temper music. Like Loreena McKennit we add a popish flame up to our performance. And like the Chieftains, we play many riling Celtic Language tunes.

So what make you think? Pretty good endorsements? Bash you have got an thought what sort of music my set plays? What it sounds like? Guess what? Sure I'd "liken" my sets to those and now when you adjacent hear those names, you will believe of the Brobdingnagian Bards (although you may not be able to state it, at least The Bards) and you will believe of me.

But you cognize what, despite what you believe WE may sound like, you'd probably be wrong. Enya utilizes synth, Loreena is a dad diva, the Chieftains...well, honestly, I'm not to familiar with their music (I apologise to other Celtic Language people out there). We play the autoharp, recording equipment and mandolin. Yes, the sound is quite different from all three of those bands. But hopefully you acquire the "idea" of what we sound like.

By endorsing a popular set or artist, people who have got got not heard you before volition have a general thought of what you sound like, and they will be a small more than susceptiple to hearing to your music. All you necessitate is one opportunity to convert person you are the best and you'll have got a opportunity to win them over.

Of course, you also run the hazard that they will be disappointed and alienated, if you sound nil like the set you are endorsing, but that is a hazard you run day-to-day so it's nothing new.

So your undertaking for this hebdomad is to happen a band, local or national. Start endorsing them. Who knows? Maybe one twenty-four hours you'll even acquire a opportunity to open up up for them...or better yet, they open for you.

At the end of August 2000, I read some ad copy at CelticWays.com. In it John Wilmott, NMA Promoter, spoke of a new direction in the music market. He predicted CDs were going out of style to be replaced by MP3s and the new digital technology. And he awoke in me a desire to look into the new music model found in MP3.com.

Three months later, the Brobdingnagian Bards are nearly $4000 richer, and have been #1 on the World/Folk and Celtic charts, plus, a Top MP3.com artist for a over two weeks in January 2000.

So the question many of you are asking is how did we do it? Is there a particular formula that you used to achieve this success? At the risk of creating some dreadful competition, I'm going to give you my step-by-step formula for making a NUMBER ONE HIT on MP3.com.

First, let me tell you some basics about us. We perform regularly throughout Southwest. Yes, we have a mailing list with nearly 400 subscribers. But quite honestly, I don't believe that those were the chief factors in our success, because our success struck nearly two months after our last gig!

No, rather, it hinges on something else. And here it goes.

1. Pick a song. Any song. While I believe with enough promotion you can make any song a hit, it helps tremendously that it is your best. So make it the best recording, the best songwriting, the best at everything. If the production sucks! Redo it. Hell, record a live version professionally. You can make a good solid recording of one song for under $40. So do your best.

2. Name your song creatively. Quite honestly, you might need to rename it a few times to find one that captures the attention of MP3.com visitors. I found out through experience that "The Bridge" was no where as interesting as "Tolkien", or even better "Tolkien (The Hobbit & Lord of the Rings).

Now test it out. See if people are willing to click that name. How? Ask some friends. Post to newsgroups. Join mailing lists and ask them. Contact other musicians and see what name sticks out. Ask your mailing list.

Also, consider naming it something with which people can associate it. The entertainment industry is a good start. Political events can be hot if timed right.

Remember that on the MP3.com charts, it's not about what your song sounds like, it's all about the song title! Want some more great tips? Order a copy of "50+ Tips On How To Maximize Your Income on MP3.com."

3. Instrumental songs do better. So if you have an instrumental songs, consider using that as your main hit to break. Quite honestly, instrumentals do better on the charts because they can be anything to everyone. If you don't want to use an instrumental fine. But you will probably achieve greater success if you stick with an instrumental ballad. The cool thing is when your instrumental songs starts climbing the charts, you can use its success to pushing up your non-instrumental tunes. You see my whole goal was not to push "Tolkien" to the top, but rather get all of our tunes up the charts. The success of "Tolkien" brought us over twenty tunes in the Top 40 throughout MP3.com!

4. Post the song in the correct genre. From day one, "Tolkien" was in the Celtic genre. It could've gone in "mood music" or some other classical genre, but we picked one that fits the style of the song. It's named after a fantasy author. Most fantasy music could fit in that genre.

However, there is one important note here. The Celtic genre is not an easy one. While I say the correct genre, the correct genre is the one that gives you maximum exposure with minimum effort. Remember that it usually works best to start your song in a category as deep as possible. The reason is that once you get to the top of one chart, you will automatically be moved into the next highest chart.

For instance, "Tolkien" was posted in > World/Folk > Traditions > European > Celtic. As it climbed it moved to the #1 position in each of those categories before hitting #1 in World/Folk and finally #34 on all MP3.com.

5. Add song notes and lyrics. Though it is up for debate just how much clicking through to read the song notes and lyrics really increases your payback, it does provide interest. So add some notes about your song. Tell your listeners how your song came about. It makes the song more personal. Plus, many sites will use the liner notes for reviews. If you don't have any, you might get skimpy reviews.

6. Make the song available for download. Yes, you can fervently try to protect all your music from being pirated, or you can have a number one hit. It's your choice. I have yet to see a Top 40 hit that was not available for free downloading.

People want to take your music with them...so they can tell their friends. Plus, think of it in this terms. A visitor comes to your website, listens in HiFi. He likes your song. So he downloads your tune. You've just gained TWO listens from one listener! If that person listens and likes more of your tunes, you'll gain a lot more.

Now a quick tip. MP3.com does not properly tag MP3s. The only tag
that you have control over that they do properly tag is the lyrics. So, whether you have lyrics or not, include some contact information in the lyrics section. That way, when they start sharing your MP3 with their friends, their friends will know how to get back to your website to download more music, and buy your CDs!

A funny note about "Tolkien", our MP3.com top 40 hit in January."Tolkien" was originally spelled "Tolkein" because that name is one very commonly misspelled name by fans. But despite the mis-spelling it still was a major hit on the charts.

7. Your DAM CD. Just like in the world outside of MP3.com, CD sales command the charts. If you are selling well, your songs climb the charts. If not, they don't. For two months, "Tolkien" sat just outside the Celtic Top 40. Finally, in early January, I was talking to my friend Rimbo, he decided to go ahead and buy a copy of our new CD, the "Best of the Bards". The next day, we leapt in to the Celtic Top 40 and kept climbing! Honestly, I am forever grateful to Rimbo for his assistance, so please drop by his site and listen to some killer music (including another Tolkien tune).

8. Price Your CD Low. While we're talking about selling CDs, remember to price your CD LOW. That means $6.99. Why? Well there are many reasons. First and foremost is you will sell more CDs, especially overseas. All of our CD sales this month have been from outside of the United States. Basically, foreign shipping is expensive. If your CD prices are low, other countrys will consider buying your CD more.

Also, you can follow Ernesto Cortazar's example (and now our own) and setup regional distributors. Thus, you can encourage your fans to buy large quantities of your CDs and sell them in their regions. This way you sell more CDs and your songs continue to climb the charts. Check out our Bard Distribution program for an example.

9. Use Your Mailing List. While the mailing list did not get us going, it did propel us to the top. I had a good score of Nagians who were listening and downloading our music daily to give us an extra hand at pushing our music up the charts. Your fans are an invaluable resource so use them, but don't abuse them. Also, remember to offer incentives now and then. It'll make the the success all that morning.

11. Pay It Forward. Some of you may remember the article I wrote a few months back on effectively using the the "email a friend" function on MP3.com. Well after start the Pay It Forward plan, where we set up a web page with just email links and told people, if they enjoyed our songs to "Pay It Forward" and share the music with a friend, we started having 5-20 people emailing others with our music per day. That was up from zero before the program. So consider encouraging your fans to "pay it forward".

12. Play live. Alright, this is of course the most obvious, and I suspect everyone's saying, "yeah, yeah, I know, and I read it elsewhere about a dozen times". Well of course it is worth mentioning because after "Tolkien" took off. We started having gigs a few weeks later. And at those gigs, people began requesting this song. It also gave us an opportunity to plug the song. "Yes, head over to MP3.com and you can download it free. Just visit mp3.com/thebards". It worked. When our stats started to sag, the live gigs kept the song at the top. So get out there and plug your music live!

13. Custom HTML. This was one of my absolute favorite little tricks that really helped our music to soar. Head over to http://mp3.com/thebard and look at the custom HTML we put up there. There's quite a few links listed, right?

Well all of those links were essential to our success. You see, when I started adding links directly to our page, I had only a few. Immediately, I noticed that every song in that list was climbing the charts. Basically, people dropped by saw some links and downloaded or listened using our links. Well, while the MP3.com affiliate program was going I saw hundreds and then thousands of people clicking each of those links so I added more.

Then I added direct links to the audio files on my other sites. If you go to the Brobdingnagian site and search for "(Princess Bride) Buttercup's Lament", or "Eleanor Plunkett" you won't find them. You see, both of those songs are listed on different sites (Marc Gunn, Bard & Classical Celtic, respectively). But anyone who came to the Bards site could listen to songs from these other sites and these other sites would get paid for the listens!

So now I have three sites making money. Next thing you know, you could've checked out our MP3.com earnings while we had a #1 hit, and you would've seen only $100 per day. But we were actually making about $130-150 thanks to those other two sites (and not including the affiliate income).

Then, I started the BardsCrier Network to help out some friends. So next thing I know all of my NMA artists like Rimbo and Carol Stober started making an extra buck or two from people at our site downloading like crazy!

What it boiled down to was that having easy access links on your website is invaluable. People will use them and your songs will get more listens, than if they stay in the MP3.com format. And since all of those Custom linked songs were climbing the charts, it helped push and keep "Tolkien" at the top!

So what are you waiting for!? Start adding your Custom HTML!

14. Payola. Payola is variable auction advertising. You can bid your song for placement in one or several of the many genres on MP3.com. This placement goes on every page in the genre you win, so you're getting a lot of visibility.

Back in January. I bid for the top Payola positions in about four different genres, including genres in which "Tolkien" is not normally associated (such as Classical, Easy Listening, World/Folk, and Books/Spoken). I bid for the top position and usually won one of the top three in each of those genres. I
received a good 15-40% of my hits from payola as a result.

But now, MP3.com has added several other forms of payola that are even more valuable including: Main Page Promotions, Greeting Cards, and Search Engine Promotions.

While none of these promotional tools are the end-all and be-all of getting your song to #1. Each can be an incredible tool for pushing you up the charts.

One Final Note About Payola. How do you bid with payola? Well if you go to the Bards Crier mp3 page you will find some "secrets" in audio form. But let me start by saying if you're not making money, it really is not wise to start bidding on payola. I used payola to push us over the edge, not as a crutch. Instead, start by making sure you're making a few dollars from free promotion. Once you master that and have earned a few bucks, then start using payola to push you over the edge.

Most learners are capable of breaking a Equus caballus fast, which is great in dash races, and the bulk of their wins are usually accomplished under such as circumstances. However, in path races (distance of longer than 1-1/8 miles) they usually make not execute as well. This is not necessarily because they are lacking in basic ability but because they are lacking in the experience needed to properly measurement the pace of a race. An experienced jockey can enable a front-running sprinter to execute as well in longer races.

Also, give an other point to an experienced jockey on obstruction racing than on level racing. A jockey's ability goes even more than of import in obstruction racing because no substance how fast the Equus caballus is if the jockey falls off or the Equus caballus draws up, the race for that Equus caballus is over. There is not even a possible 2nd or 3rd place.

Look for value likelihood as much as likely winners. If you maintain looking for them, you will larn to descry them fairly quickly. Look for a Equus caballus that have a just opportunity of winning and is not overly backed. This is usually a good value stake in the long run. On likelihood of say, 10:1, you necessitate to win once in 10 efforts to interrupt even. Anything more is nett profit. Horses backed heavily by information services and computing machine odds-makers may win more than often, but are usually mediocre value bets.

The offshore sportsbook sites or bookmaker webpages are very well informed and have got a long experience determining the odds. Their starting terms are usually first-class indexes as to which Equus caballuses are likely to be among the first three in a given race. Sometimes the mass of the punters will set a batch of weight and money on a Equus caballus which will then travel to a false terms and because of that the other terms of Equus caballuses will float in the market, that is acquire longer. As a result a Equus caballus shown favourite or 2nd favourite in the early starting terms may then drop down the listing as the start of the race attacks and his likelihood improve significantly, that is acquire longer. This doesn't go on very often, but when it does, stake on the Equus caballus that was initially favorite. It is always a good value stake and in the long run you should do a profit.

When the path is slow or heavy, give penchant to fast starters. Slow, muddy and heavy path statuses usually prefer the Equus caballus that takes an early lead. A consecutive stake is simple, wieldy and not too hard to win. Play it but always weigh up the odds. Avoid favourites and long shots (outsiders) too. Be selective - don't wager on anything or everything. When betting straight, see betting to win and show, or each-way, if the likelihood are relatively high.

If a Equus caballus is heavily backed just a few proceedings before the start of the race and his likelihood are sharply reduced, stake on it. This is a strong indicant that person have dependable advantageous information about the Equus caballus that cipher else is aware of.

The Equus caballuses to look out for in Lightweights Disability Races are those whose overall word form shows that they are capable of winning, regardless of the class of race in which they compete. Two or more than wins in the word form shown in newspapers are often indicant of a possible large win by a low weight. An added bonus is they usually start at large prices.

When making selections, always give penchant to a Equus caballus that ran recently. A Equus caballus that have got not raced for respective hebdomads may have suffered some reverses like an hurt or an illness. No substance how good his word form was if it is not recent, opportunities are the Equus caballus will not win.

Too many gamblers are still living in the ‘dark ages’ and will
only ever place a bet with a traditional bookmaker.
They either can’t be bothered to learn how the exchanges work
or simply don’t realise the features and value that can be had
when betting within an exchange environment.

Believe me, using a betting exchange is very easy, and if you
are not already using at least one exchange you should join one
immediately after reading this article…

I'm not saying that a betting exchange should be used for all
your betting. There will still be occasions when a traditional
bookmaker will offer more desirable odds than those that are
available on the exchanges. However, in the majority of cases
you will find better value on the exchanges and additionally
there are other VERY IMPORTANT features that only the betting
exchanges offer. More on this later…

--> So What Is A Betting Exchange?

Put very simply, betting exchanges are a secure place where
members of the betting public can exchange bets with each
other anonymously, at odds that they specify themselves. The
exchange companies simply act as the 'middleman' and match
peoples bets.

As there are no bookie margins to factor in, prices are very
often more desirable. The betting exchange companies make their
money by taking a commission payment on your winning bets. This
is usually in the region of 3 - 5%, but even taking this into
account, it’s very common to find better prices on the exchange.

The cumulative effect of better prices when combined with a good
staking plan, can make the difference between you generating a
healthy profit or a bad loss. Using an exchange does not mean
you will automatically win more frequently! You still have to
find good value winning bets yourself or via a professional
tipster but it’s the effect of getting a better return on your
winning bets that will boost your betting bank and protect you
during losing streaks.

Most people use the betting exchanges on the internet, but you
can also place bets on the telephone.

--> Betting Exchange Advantages

As well as regularly finding better prices when backing a
selection, exchanges also give the gambler some other very
important advantages over traditional bookmakers.

--> Some of the key advantages are:

1) The ability to LAY a selection if you think it will not win.

2) The ability to BACK or LAY a selection to be PLACED. (This
is very different to the well know Each Way bet offered by
bookies and can be very powerful).

3) Betting IN RUNNING on many events INCLUDING HORSE RACING.
This can give you many advantages and opens the door to new
methods that may secure you more profits.

4) If you are very successful, you will not have the exchange
company threatening to shut your account down.

5) The ability to TRADE on price movements in betting events
to guarantee yourself a profit regardless of the result.

6) Arbitrage Opportunities. Bookie and exchange price
discrepancies often allow you to take a NO RISK bet.

Those are some of the key benefits of using a betting exchange
and I will dig deeper into these and explain how you can use
them to your advantage in future betting articles.

For the remainder of this article, lets concentrate on point 1,
LAYING a selection to Lose.

--> LAYING To Lose – A Major Advantage Of The Betting Exchanges

Probably the most important feature of a betting exchange is
the ability to LAY a selection. But what does laying a
selection mean?

Laying a selection is often referred to as 'Playing the role
of a bookmaker'. Like a bookie, you offer a price against a
selection / event happening (eg. a certain horse to win a race
or a football match ending as a draw). You only do this if in
your opinion there is a great chance that the horse won't win
or the football match will not end as a draw. The betting
exchanges simply match your lay bets with other customers who
think the opposite of you (eg they think the horse will win or
the match will end as a draw).

--> Lay Liabilities

The odds that you offer determine how much money you will need
to 'pay out' if the selection actually wins (just like the
bookie does when you have a winning bet with them). So if you
were to place a lay bet of £10 at 5.0 (4/1) against a selection,
you would be liable to pay out £40 from your account if that
selection won (The other punter gets their £10 back plus £40
profit). If however, the selection does lose you get to keep
the £10 staked by the other punter (just like the bookies have
done with all your losing bets all these years!).
It's as simple as that.

Now, you might be thinking 'great, I'll simply lay all the rank
outsiders and clean up'. STOP! Don't even go down this route.
If you keep placing lay bets on selections trading with very
high odds (eg 50/1), you will win regularly but when 1 of them
comes first you will probably wipe out all your winnings and
more! A single £10 lay bet at 50/1 would see you liable for
paying out £500 should the selection win!

Therefore, I strongly recommend that you decide upon a sensible
upper limit for lay odds and stick to it no matter what. Just
think about how many favourites get turned over in horse races
every day of the year that are perhaps available to lay at very
short odds like 1.5 (1/2). Your liability on a £10 lay bet at
these odds is only £5, or £50 on a £100 lay bet. I like to keep
my lay bets at odds below 4.0 (3/1) but that's just my own
personal choice but it gives you something to go on.

--> Flexible Odds / Placing an Order

The odds you offer obviously need to be realistic in order to
be matched, but if you are not happy with the current price
being requested by other punters you can simply place an
'order' in the exchange at your odds and hope that somebody
eventually accepts your offer. (eg you may feel that the current
price of 3.0 (2/1) is too high a price to lay a certain
selection, so offer a lay bet at 2.75 (7/4) instead). If your
lucky the price may well be matched. If the event starts without
your lay bet being matched, your bet is simply cancelled so you
gain/lose nothing.

--> Summary

Lay Betting might sound very confusing to the exchange newbie,
but believe me it soon becomes very straightforward and you will
find yourself laying selections much more frequently than you
think. Let's be honest, it must be easier to pick a horse you
feel will definitely lose in a average 12 runner race, than
find the single winner!

Well that's it for part 1 of my betting exchange articles and
all that's left for me to say now is that if you don't already
have at least one betting exchange account, please open one
right now. It will only take you five minutes and you'll soon
be thinking 'How did I ever bet without using an exchange'?

In part 2, I will be explaining the Betting Exchange Place
markets and how you can benefit from them.

There are many ways to wager on a football match. Increased competition and the ability to put stakes on Betfair have got made it possible to take the same stake at different terms depending on the market.

The most obvious 1 is the -0.5 Asiatic Disability (AH) and the consecutive win on the 1X2 market. You are betting on exactly the same thing if you take these bets. As the border is less on the AH, its almost always best to take the AH. It baffle boards me why some bookmakers set the stakes adjacent on a voucher with different prices.

A draw no stake is the same as an AH of +0. Again, the AH is usually the best. However, if one squad is highly backed on the AH the likelihood may drop and betting on the draw no stake is better value.

Unders/ overs, end line and entire ends are sometimes the same. There's one bookmaker I cognize that offerings all three of these on the same voucher but sometimes at different prices. I've seen 3 or more than ends on the sum ends marketplace priced better than the overs on a end line of 2.5. They are exactly the same bet.

An X2 dual opportunity is the same as laying the place win on Betfair. As Betfair runs with a border of 2.5% (5% committee but you will on norm lose half), its going to always be better to put the stake on Betfair than taking the stake on X2. Some dual opportunity stakes are the same as the AH. Take the best odds.

A +1 European Disability is exactly the same as a +0.5 Asiatic Handicap, which is exactly the same as laying the squad on the 1X2 market. I've seen times when European Disability have offered the best value. As this marketplace is the smallest, the terms don't travel if a bookmaker acquires in wrong. I once establish an arbitrage that paid 10% using a European Handicap. The terms didn't travel at all because not many people stake on it.

No first end scorer is almost the same as 0-0. NFGS is slightly better as ain ends make not count. It doesn't travel on often but as these marketplaces pay the same odds, its best to go with the NFGS bet. Djimi Traore scored an ain end when Liverpool played Burnley in the 2004/2005 fa Cup. Liverpool lost the game 1-0. PSV scored an ain end and lost 1-0 to Arsenal in the Champions conference the same season. Its rare but it makes happen.

I could travel on but I anticipate you to acquire the message now. Next time you are placing a stake on a association football lucifer it could pay to just check up on the likelihood on other markets.

Seems every time I read an article about music promotion, they look generally the same thing. "Play in your local marketplace with a 50 statute mile radius of your hometown."

That's actually pretty smart advice. If you can construct a bombilation in your region, that local bombilation will eventually distribute outside of your marketplace into others.

But there's a problem. It is no easy undertaking for any unsigned set to construct that buzz. Take my hometown, Austin. Whew! I can't state you how many sets there are here. The marketplace is flooded. Getting through the jumble is hurting in the arse.

Guess what? I learned an untapped secret
to interrupt through the set clutter, gain you web traffic all from your local region. And you will bring forth good-will in your community.

Here's the secret. Write reviews of local businesses.

I wrote a short review of a little Irish public house just outside of Capital Of Texas called the Irish Dragoon Pub. They had no website. So I gave them one and added a few sort words.

This past St. Patrick's Day the proprietor of the Dragoon embarrassed me. Helium took the mike before we started playing. Not only did he speak us up to the audience, but he thanked us for the sort review that "put the Irish Dragoon on the map".

You can make the same for ANY concern wherever you're playing. And it's easy. Here's what you do.

1. Pick a local concern you desire to support.

2. Write a short review about that business. Don't just state it's cool. State your readers what you've bought there before to do it more than personal.

3. Put that concern name in the statute title of the webpage. For instance, "Irish Dragoon Public House in Killeen, TX".

4. Add a little streamer with your adjacent gig listed.

5. Submit that webpage to the hunt engines.

That's it. More than likely, you'll come up up easily as one of the top 10 sites listed.

To improve your hunt ranking, add further golf course to that webpage on your website and others. And don't bury to allow the concern cognize that you appreciate them. Send them a nexus to that review as well.

SPECIAL NOTE: While this is a great manner to convey in a clump of random traffic. It's not targeted. Meaning those who bash come up to your site, more than than likely volition have got small involvement in your music, UNLESS the concern you compose about pulls your type of fans. So make a small spot o'research and good luck!