My Black jack code

How to find the right horse racing system?

I have been struggling for over 15 years trying to identify why are there some people who often win at horse racing while there are some others that hardly see a winning streak in their lives. The reason for this bizarre phenomenon is that people who usually win are actually following an efficient horse racing system, while the ones that loose most of the time, do so because they rely only on their luck and instincts.

There is more than a computational horse racing system out there which will tremendously boost your winning streaks, but you may start with an "home-made" horse racing system, which might not be that accurate and efficient, but they surely work better than your bare luck.

Remember that the reason why this business is still going and making outrageous amounts of money daily to the ones using the right horse racing system, is because there are a lot of people that believe it is based on random events, they lack of the perception for little details a certain horse racing system might offer.

Therefore, the bookies keep making money out from the people that lose while they give some of these earnings to the people who actually know how to win as they use a successful horse racing system. If you want to stop being a bookie financing agent and become a bookie expense, then keep reading.

First of all you need to analyze the information given to you by the very same people who profit from your bets and horse racing system, this information will include the favorite horse per race and the amount of money you'll get paid when winning, this is the core of a successful horse racing system. A good horse racing system rely only a little in this information, however if you pay attention to details you will see some magnificent results very soon. First of all check for those horses whose last run took place in the very same track in which the current race is going to take place, these horses already know the environment and prove to be the top contestants every time.

Also, regardless of the horse racing system you use, check out for the previous odds, if a horse lowered its ranking within the last race, then you can take a shot and enjoy the outrageous profits offered. Remember that odds are not calculated depending on the horse skills directly, they are barely a reflection on calculations made by the bookies to make a profit out from every race, no matter the result. This means that if a lot of people are betting on a given horse as they are using a similar horse racing system, this horse will become the favorite, and it will pay less because the bookies need to pay every single winner and recoup their losses with those that placed an incorrect wager. So, follow this horse racing system and you will see some great results very promptly.

Derrida’s Essay, "Sign and Play in the discourse of the 'Human Sciences" is an introduction to the theory of Deconstruction, or a expression at linguistic communication and significance as opposing to the physical object or thing linguistic communication and significance is used to describe. Deconstruction looks to centre around the thought that linguistic communication and significance are often inadequate in trying to impart the message or thought a communicator is trying to express. Since the confusion stems from the linguistic communication and not the physical object then one should interrupt down or deconstruct the linguistic communication to see if we can better understand where the confusion stems.

Derrida discusses his thought of "interpreting the interpretations," through the thoughts of an event, the construction of that event and the play of the elements of that brand up the structure. The basic thought of deconstructionism works. To really understand a thing, in this lawsuit language, one would necessitate to interrupt down what linguistic communication is, how it works, why we accede to that construction as our agency of communication theory etc. The job is that we utilize linguistic communication to analyse linguistic communication and I don’t believe you can make that.

To effectively utilize deconstructionism theory and use it to linguistic communication or the human sciences, one would have got to make a new language. Mathematics have its ain language, made of marks and symbols and numbers, deconstructionism necessitates its ain language. The obvious job with that thought is that a deconstructionist would say, you would necessitate to interrupt down that linguistic communication to see if it is communicating effectively. However, I see that as a good place to start.

Another job is that much of Derrida’s essay looks to be round or contradictory. The thought of the centre being inside and outside of a construction is senseless to me. Jacques Derrida doesn’t full explicate his thought that a construction have a centre but the entirety of that construction have its centre elsewhere (278) It is round logic that doesn’t hold up. Also, Jacques Derrida passes much of the essay speaking on Levi-Strauss and his theories only to pass the latter one-half of the essay discrediting or determination contradiction in much of what Levi-Strauss had to say. The thought of the bricoleur and the applied scientist as it uses to linguistic communication and lit theory in peculiar work for me.

Yet, after Jacques Derrida passes a great trade of time explaining those thoughts he passes a great trade of time explaining why it doesn’t work, and why Levi-Strauss was off the grade in relying on the thought of the bricoleur and applied scientist or empiricist philosophy if you will, as a agency to dissect linguistic communication and theory. The inquiry then becomes, "What makes Jacques Jacques Derrida believe," and go forth not fully having the reply that to the inquiry and also believing that Derrida is uncertain of the reply to that inquiry himself.

Of all the poker calculators available on the market, none of them have ever addressed the needs of the amateur online player that focused his play and growth in the game by way of tournaments. Let's face it, the new players that come to this game are by and large, influenced by tournament action seen on television.

So why hasn't this huge segment been addressed in software? The reason (at least in part) is because programmers may feel there are just too many variables and nuances in a tournament that are simply too difficult to quantify. Stacks, position, structure, escalating blinds, profiles, payouts, rebuys, qualifiers.... and on and on. How can a poker calculator cope with that? Even Roy Rounder's Sit and Go Shark set out trying to master single table tournaments failed miserably at offering clear advice - instead reverting to multiple, automatic coaching style quips that more often than not conflicted with each other at critical stages!. Yikes what a mess that was - and a shame really.

Now things are getting interesting because recently, I got an email from the designers of Hold'em Indicator. They tell me they have a new piece of software for tournaments, and ask if I could I test it for them. Now just the fact it's from the group who designed the best poker calculator interface on the planet, I am now far less skeptical than I am optimistic.

I start playing with this brilliant blue, sharp looking software and discover it is based upon the MZone strategy, a key decision factor professionals use in real tournaments. In fact Dan Harrington predominantly based his top rated tournament strategy book on this single concept. "The most important single number that governs your play toward the end of tournaments is M, which is simply the ratio of your stack to the blinds and antes. This number is crucial and you must develop a facility for calculating it quickly and easily at the table" says Action Dan.

I used the Mzone tournament strategy myself and went on a respectable run last summer earning $25,000 in tournament winnings. Not huge to some of you, but these were from very low buy in tournaments. I made 41 final tables in three months! To put this in perspective, I made one final table in the two years before that! I even created a spreadsheet that I used by my tournament window that calculated the Mzone with some inputting on my part. Yes Dan, I agree. Understand the MZone, and you can start winning tournaments - even online!

So upon that good starting premise I tested the "tournament strategy and poker odds calculator" software. True to form, I am impressed with its simplicity and seamless functionality. Now finally, thank you for this, I don't have to calculate the Mzone anymore. Not only that, it calculates the Mzone for my opponents as well

I find myself wondering why this product not been created any sooner. I mean most internet players play tournaments, right? This is especially true of the hundreds of thousands of players who are working from limited bankrolls, just trying to get ahead in this game.

Here is the clever reality of Tournament Indicator. It avoided the dubious challenge of making recommendations in a tournament - by NOT making recommendations! It does however provide you with an array of indicators (as well as the MZone) that allow YOU to make the right decision at a game critical intersect. These same "indicators" are what the pros use to make to make correct decisions in tournaments. Making correct decisions win tournaments, but often those decisions may seem, and quite likely are, counter-intuitive to standard book play. Tournament Indicator shines a bright light on those opportunities, and will guide your way to more money finishes, and deeper money finishes.

If you are in that group of striving online tournament players learning your game and working towards earning some prize money worth braggin' about, then Tournament Indicator is your ticket. In addition, this is about the best piece of software you can have running for single or multi table sit and go action, as it works just as effectively.

The brilliant simplicity of the Tournament Indicator software is not lost in this, the most feature rich poker calculator ever created. Besides the critical Mzone, there are extensive profiling indicators, which you can adjust yourself, if you like. I also really love something Tournament Indicator calls MatchCards. On a screen you can toggle to, your hole cards will be matched up against other common hole cards that may be putting pressure on you. When your do or die moment arrives, you are going to have to make a good, and perhaps uncommon decision. MatchCards is going to let you know exactly where you stand. This feature alone is worth the investment.

Someone at Tournament Indicator was seriously thinking about real tournament action here. Evidence of which is within the profiling grid, where there are also columns that monitor streak and balance totals - as in, how have your opponents' stacks changed, and how many hands have they won or lost over the last 10 deals. If you want to know which of your opponents is (ala Mike Sexton) frying an egg on his head, just refer to these indicators. We all know the tempo of a tournament changes rapidly at times, and that is why tournament play is all about what has happened recently. Tournament Indicator keeps you as the most informed player at the table, and that will translate into more money finishes, and deeper money finishes.

Out of the 250 million people in the United States, about 25 million of them play an instrument of some kind, or used to when they were in school and would wish to pick up where they left off. Another 30 million or so sing in a Christian church choir, a barbershop quartet, or at the very least, in the shower.

That agency that there are over 50 million folks – grownups – World Health Organization would wish to play their instrument or sing better than they make now. After all, everyone desires to improve his or her skills, no substance what the field.

Before the coming of the Internet, if grownups wanted to larn to play a musical instrument, they had to schedule a lesson time with a instructor in a shop or studio or if they were fortunate, in their ain place with a instructor who would come up each hebdomad for a lesson.

That meant doing it after work, driving to a shop or studio, dealing with transportation, babysitting, illness, cancellations, and so on. Very few grownups who started lessons that manner continued very long, as it was a continual hassle.

But with the development of the World Wide Web, music instructors have got gone online to offer lessons to grownups in the comfortableness and convenience of their ain homes. No programming problems, no transportation system issues, no cancellations – none of the jobs built-in inch traditional lessons.

Here are a few of the many courses available for grownups online:

Jamorama Guitar Course

Stripped-Down Guitar Course

SlapBass Guitar Riffs

Guitar Made Easy

Acoustic Guitar Workshop

Screaming Fingers Guitar Course

One Weekend Guitar

Make Money Teaching Guitar

Learn Chords Fast

Instant Chord Finding Software Download

84 Piano Chords

“Crash Course” in Exciting Piano Playing on DVD’s!

How To Play Piano By Ear

How To Dress Up Bare Music

How To Play Praise & Gospels Piano

How To Play “Black Gospel” Piano

How To Play Contemporary Urban Worship Piano

All The Chords Inch The Whole Wide World

How To Play Chord Piano...In Ten Days!

Learn To Play Electronic Keyboards

Singing Success!

Drum forms online to download!

Your ain "Drum Machine" online!

Learn to read music fast

Children Can Read Notes Easily!

Learn to Read Music in One Evening!

Even though this is a large listing of music courses for grownups now, it is growing at an exponential function rate. The chance for learning music at your ain pace online have never been greater, so take advantage of it and start improving your musical accomplishments without delay!

The beautiful continent of Australia features a lot to do for tourists from all over the world. Whether it is swimming at the Great Barrier Reef or taking in cultural events in the beautiful city of Sydney, Australia has a wealth of events that will keep the world traveler busy. However, travelers don't just want to take in the natural beauty of Australia and may want to have some fun in a more social setting. Australia's seventeen casinos and gaming facilities are some of the finest in the world and provide great gaming opportunities for Australians and visitors alike. These casinos are spread out over all the Australian states, and New South Wales, with four, has the most casinos in Australia.

One of the better Australian casinos is the Star City Casino in Sydney. With more than 1,500 gaming tables and slot machines, Star City is one of the larger casinos in Australia. For high rollers and others with a big bankroll, The Endeavor Room offers premium gaming and a party atmosphere that will make it all worthwhile. With luxury rooms, private suites, and fine dining, the Star City Casino is a fine example of Australia's casinos.

For visitors in the area of Hobart, the Wrest Point Hotel Casino is the place to be. Wrest Point offers more than twenty gaming tables and 650 slot machines that provide many different opportunities to win money. In fact, more than 300 jackpots are won each month in this Australian casino, giving professional and casual gamblers many chances to win big. One of the best features of Wrest Point is that they offer a special nonsmoking slot area for those who want a cleaner environment in which to have fun and gamble. This beautiful Australian casino is both aesthetically pleasing and fun for all.

One final example of Australia's fine casinos is the Sky City Adelaide, in the beautiful city of Adelaide. Sky City is a casino for those who want to win big fast, with regular cash and car jackpots on certain slot machines. With more than 800 slot machines and 70 tables for blackjack and craps, there is no shortage of opportunities for the casual gambler to make some money on their vacation. The best aspect of the Sky City Adelaide is their regular poker tournaments, including a major poker tournament. Visitors to Sky City Adelaide will not be disappointed with their choice of Australian casinos.

One of the rules of practicing we all hear over and over is "Be certain to drill slowly." (I'm guilty of this too!) Often the result of this is a feeling of inhibition, which takes to tedium. Picture yourself filled with exhilaration and longing in setting out to larn a new piece. Suddenly a voice from the darkness whispers: "Don't touch those keys! Sit erect, play slowly, stay strictly in time, ticker that fingering..." and your smiling is gone. I'm beginning to experience a spasm just talking about it.

The fact is, a certain amount of slow pattern and attending to little scale of measurement item is absolutely necessary. But there is something lacking in the attack so many of us have got taken; we put out to do music, and end up playing what amounts to no more than than a series of barren exercises.

How can we defeat this problem?

First of all, it's important to retrieve that music come ups to life through shading, dynamics, differences in touch, the forms of its phrases, the rhythmical verve that is so much a portion of the right tempo. These qualities are all lacking in a slow, stiff "practice" version of a piece. They are just as indispensable as right fingering, and they don't come up across without careful work.

So, perhaps we should change that rule from "Be certain to drill slowly" to "Practice as fast as possible." But Wait! This necessitates some additional discussion. The slow portion of pattern assists larn the fingers where to go, and do it pulp easier to learn the work. But in order to larn how to do music, how to make the piece sing—we must drill it at a pacing that volition aid uncover musical human relationships and nuances of form.

Pianists must have got the opportunity to experimentation with touching and phrasing while practicing, and there is small chance of ennui when so many exciting elements are introduced to the pattern session.

In my E-book, I've included many basic exercisings with background music to help you in acquiring this degree of keyboard performance. In other words, you will be practicing with other instrumentalists. You will hear the drums, bass and an unnoticeable pianoforte concomitant that supplies a harmonic blanket for YOU to drill your course material!

Ideally, then, both ways of practicing should be used!

First, we should drill slowly adequate to larn the short letters and fingerings. Then, we should "practice as fast as possible"; that is, as fast as we can without losing control of the rudiments we learned in slow practice.

Here' how this would work. Take a short portion of the piece; you might take a four- Oregon eight-measure phrase. Practice it slowly. When you experience comfortable with the music, addition the tempo. Don't wait until you've practiced the full work slowly. In this way, at each sitting you'll acquire to larn a small section, convey it up to tempo, and experience into what is needed to convey it to life.

At the adjacent sitting, work on the adjacent four or eight measure. When you have got that subdivision brought up to tempo, compound it with the first section. Now, you will get to understand how the phrases associate to each other. You can present the thought of dynamical shading and make up one's mind which lines to convey out at a given moment. In fact, you will be making real, exciting music—even before you've learned the whole piece!

As you travel on in this way, you will probably change your head about how to play the work as new subdivisions are added. This is portion of the procedure of find and experimentation. Concert people are always re-interpreting, because they believe about these elements all the time.

So play as slowly as you necessitate to; but as fast as you are able!

I wish you the best of success.

Ron Worthy
http://www.mrronsmusic.com/playpiano.htm

Copyright 2005 raw Productions

When you read music you are deciphering the printed page and transferring the information to the keyboard. You might say that you are decoding what the composer or arranger put on the page . The symbols put on the paper by the composer are the only means he or she has to convey his/her musical ideas to the performer, hence to the listener.

But! Is decoding a page of printed music and transferring those symbols to sound really making music?

Not necessarily. That is only one step. We might say that reading the notes with our eyes and playing them with our fingers is putting the mechanics to work. If we stop studying the piece as soon as we are fairly fluent in playing the notes we have read, we may be good keyboard mechanics, but we may not be considered "musicians."

No doubt you have listened to a pianist and come away saying, "That performance really carried me away." On the other hand you have also probably heard much so-called "music" that left you cold—that did nothing for you. Perhaps one reason we enjoy listening to "ear" players is the fact that they are listening to what they play and are not distracted by the printed page.

"Ear" players MUST listen to themselves or they would have no idea of what comes next. The music is really speaking to them. Always remember that until music speaks to the player it cannot communicate anything to the listener.

What has all this got to do with reading music? You ask:"Is it wrong to try to learn to read? Since I can't play by ear, should I just forget about learning to play?"

The first question will take a bit of detail to take us from the printed page to good listening. Don't forget that the performer must be a good listener, if not the most critical of all listeners. If, as you perform, you become so engrossed in the printed notes, their pitch, their time, the touch, the dynamics—that you forget that all those things must fit together as a whole to make a good tone story, then you are a note reader, not a musician. But you must learn to read fluently if you can't play by ear.

There are comparatively few people who can play from memory or by ear everything that is on the page, fully and accurately. But, you don't hear them falter and fumble over the spots that are rough because they have learned how to "fake," how to cover their mistakes so the average listener is not aware of their bloopers.

So go ahead—learn to be a good reader. Not just a good letter reader, be a phrase-wise reader. Be aware of everything printed on the page, but read between the lines. Like a good actor, put yourself in the role and project your feelings to your listeners . Don't let your development stop with just reading pitch and time. Include those little nuances: the delicate shadings of volume, the elasticity of tempo�the phrases that punctuate your musical story. Those are the things that make music from the printed page.

Now you know your answer. It is not wrong to learn to read fluently. Reading, as well as good technique, is a vital part of a musician's craft. And the more automatic your reading and technique become, the easier it will be to learn new music. That, of course, is the one big advantage the fluent reader has over the ear player—the player who reads can learn new music he or she has never heard.

Perhaps your second question is also answered. Of course, you can enjoy music even if you have to dig out every note phrase by phrase. A few hints may help you decide how to choose your music and how to go about learning it. First:

Choose music that is well within your present level of playing so you won't have to work forever on once piece.

Don't worry about challenging yourself.

Don't dub yourself lazy just because you play easy pieces. Who cares what grade level your music is? Just play the melody so beautifully that everyone wants to hum along.

Keep the beat moving smoothly and with the proper accent so everyone will want to tap their toes.

Put in enough subtle changes of volume to make the phrases speak.

Deviate from the established beat just enough to enhance the natural flow of rhythm to make the music come alive.

Copyright 2005 RAW Productions

Controlling the mental images of the head through mental image projection have proven valuable not only for psychotherapy, but also as a acquisition aid. Visual Image can have got as much impact on the subconscious, memory, and full organic structure as a "real" experience.

For example, it is sometimes more than expeditious to memorise a song by reading and thinking it through than it is to play it. Some instrumentalists like to work on a hard transition by visualizing themselves playing it with perfect executing and technique. When visualizing, energy is channeled and concentration is pinpointed. The mind, and sometimes even the musculuses will respond and larn as if the music was actually being played.

I'm not suggesting you sell your instrument and pass all of your time meditating, but visual image is a agency to very fast results.

Having negative ideas or feelings about ourselves bring forths negative results. This is true even when we are unaware of the ideas and feelings we are having. The first measure for visualizing is to go aware of how you "program" yourself, that is what you "tell yourself," about your musical abilities and the manner you play. The adjacent measure is to larn how visual image works. You can set it to work for you as a enormous assistance for learning, playing, or anything you choose.

The imaginativeness is one of the chief lights-out of our subconscious. The subconscious is the controlling military unit behind creativity. We are all in a never ending procedure of creating. (One cat I cognize have 11 kids.) We are creating our perceptual experience of life, creating our felicity or wretchedness or whatever we choose. The more than than control we have got over our originative resources, the better our music and more fulfilling our lives will be.

We can acquire the originative wheels turning, by restful and changing our state of mind. Deep external respiration (also known as diaphramic breathing) the foundation of vocalizing is commonly used instrumentalists before playing and before going on stage. It relaxes the full organic structure and decelerates down the encephalon waves, which lets for clearer thinking. Uncontrolled nervousness (as any vocalist knows) are a hindrance, especially to improvisation and songwriting, where a relaxed "letting go" mental attitude is necessary.

The ground that some years you're hot and some you're not is your changing framework of mind. A small head control do for a more than than consistent player and more rapid improvement.

Copyright 2005 raw Productions

Horse sense -- or common sense -- dictates that Street Sense should be the strong favorite that he is in Saturday's 132nd Preakness Stakes at Batimore's Pimlico Race Course.

Earlier this month, the Street Cry-Bedazzled colt became the first Breeders' Cup Juvenile champion ever to win the Kentucky Derby, opening leg of Thoroughbred racing's Triple Crown for 3-year-olds.

The consensus appears to be that Street Sense is so talented he stands a serious shot at becoming America's first Triple Crown champ in nearly three decades, though bettors continue to favor the "No" when asked if the horse will become the first to sweep all three legs since Steve Cauthen turned the trick aboard Affirmed in 1978.

Seventeen horses in the 28 intervening years since have won two of the three races, with 10 taking the Kentucky Derby and Preakness before losing in the longer, 1 1/2-mile Belmont Stakes.

Bernardini, last year's Preakness champ, skipped both the Derby and Belmont, while Derby winner Barbaro broke down at the start of the Preakness and later had to be euthanized.

The usual propositions, matchups and exotics are out there, but bettors shouldn't expect to stuff their pockets with greenbacks off the Preakness -- unless a long shot crashes into the Top 3.

If Street Sense, Hard Spun and Curlin finish one, two, three as they did in the Kentucky Derby on May 5 and with only nine horses expected at the starting gate as opposed to the 20 who raced at Churchill Downs, horseplayers would be lucky to collect a trifecta that paid 10 percent of the $440 that was returned on a winning Run for the Roses tri.

Also, with the trio of favorites all listed at 7/2 or less, a Bodog.com prop that asked if the winning mutuel payoff would be over or under $12.50 appears to be a steal on the under.

One Bodog.com prop that seems to already have been settled is the number of Preakness starters.

Eclipse Award-winning trainer Todd Pletcher's late decision to bring sixth-place Derby finisher Circular Quay back in the Preakness set the field at nine on Wednesday and brought to four the number of Run for the Roses entrants slated to travel the 1 3/16ths-mile distance at Pimlico.

While a scratch remains possible, those who wagered on exactly nine starters at 1/2 seemed likely to cash winning tickets; less than nine was 5/6 and more than nine was 2/1.

Pletcher also has Santa Anita Derby runnerup King of the Roxy entered.

Completing the field were Mint Slewlep, Frederico Tesio Stakes winner Xchanger, CP West and Derby Trial champion Flying First Class.

Street Sense was a 7/5 morning line favorite early Thursday, followed by Hard Spun at 5/2 and Curlin at 7/2.

Bodog.com had the three at 5/4, 5/2 and 7/2 respectively, while Pinnacle's prices were plus $1.56, plus $3.03 and plus $3.52.

BetUs.com's numbers were plus $1.40, plus $2.00 and plus $3.00.

Odds on long shots noticeably differed.

Mint Slewlep, who will break from the No. 1 slot, was plus $100.00 at Pinnacle, 40/1 at Bodog and plus $28.00 at BetUS.

BetUS also offers players the opportunity to wager on which horses will place and show.

Street Sense was minus $3.20 to run second and minus $10.00 to finish third, Hard Spun was minus $1.60 and minus $8.50 and Curlin was plus $1.10 and minus $2.00.

Bettors have at least a pair of time props from which to choose.

A Bodog prop asks whether the winning time will be over or under Bernardini's 1:54.65 clocking of a year ago.

BetUS asks if it will be over or under 115 seconds (1:55.00).

VIP.com lists a wide range of margin of victory props, ranging from a dead heat at 50/1 to the favored 1 to 2 3/4 lengths at 7/2.

Bodog asks simply if the margin of victory will be more or less than two lengths.

More than two lengths was a 2/3 choice, two lengths was 3/1 and less than two lengths was 5/6.

Saturday's Pimlico attendance was the focus of another Bodog.com proposition.

"Yes," turnout will exceed 117,000 and "No," it won't were both minus $1.20.

VIP.com asks directly if Street Sense will win the Preakness and Triple Crown.

"Yes" on the Preakness was minus $1.40 and "No" was minus $1.70.

"Yes" on the Triple Crown was plus $3.00 and "No" was minus $4.00.

Pinnacle posted a full roster of matchups, including one that had Street Sense at minus $1.17 versus both Hard Spun and Curlin at minus $1.01.

Street Sense was minus $2.25 against Curlin's plus $2.05 and minus $2.00 versus Hard Spun's plus $1.80.

You are neither too immature nor too old to play pianoforte and compose. If you believe otherwise, acquire that faery narrative out of your head.

A few geniuses began at age 3 and burnt out in center age. Gustave Mahler, a modern symphonic creative person and Wind Guitarist fable Wes L. M. Montgomery didn't start serious composing until they were well in their 30's. Giuseppe Verdi was still going strong at 87. Some of the great pop, jazz, and stone music of our time have been written by instrumentalists who see the age of 25 as "over the hill."

Conclusion: bury about age.

What about music theory? Bashes it have got anything to make with playing the pianoforte and composing a piece of music?

Sounds come up first. Theory books and systems tag along behind, explaining in words what you've already experienced by ear.

Composing is a "hot" originative act. Studying theory is a "cool" analytical act.

Theory explicates what is going on in a piece of music. It demoes us the machinery that brands the music tick. Training in theory assists sharpen our understanding, and assists the player and composer form his or her musical materials.

Absorb theory for what it have to offer. But ticker out for the trap of "rules." In the early phases of playing pianoforte and authorship music, rules can be helpful subjects to assist focusing our thinking. But given too much importance, rules go handcuffs; interruption them if you cognize what you're doing.

Use your good ears to interrupt through the eternal blanket of sound that environments our lives.

Direct you hearing. Sharpen your perception. Isolate sounds. Listen, and do yourself aware of your sound-world.

A painting, a statue, and a edifice have got a certain sort of life. All of their parts be at the same time. But music is like a film or a phase play: it unwinds slowly, spot by bit. A film begins, continues, and ends before your eyes. Music makes the same for your ears. Your pianoforte playing and compositions dwell and breathe.

Guidelines for Playing Piano By Ear to Write Music

Begin your studies with a simple, basic idea: a sound you like, a grouping of pitches, an interesting harmony, and attractive beat pattern, an thought for lyrics, and so on.

Next step: believe out a figure of possibilities for developing, expanding, exploiting, and contrasting your basic idea.

For example:

1. A grouping of pitches can be played forward, backward, upsidedown, or with its order rearranged.

2. You can maintain the overall form of a pitch grouping (the manner it travels up and down), but alteration it by gap up or tightening the distance (interval) from one short letter to the next.

3. The same pitch grouping can be varied by changing its speed, meter, or rhythm... or by changing its "color" through alterations of instrumental registry (high vs. low).

4. A rhythmical idea, no substance how simple, can be stretched, tightened up, fragmented, or transformed into a perennial figure

5. A rhythmical thought can be applied to differnet pitch groups, or used to give motion to your favourite chord progression.

6. A harmoniousness can be intensified by adding "color" tones of voice of voice of voice (7th, 9th, added 6th, suspended tones, etc.); Oregon softened by subtracting chord tones; or given a refreshed sound by the manner you voice the harmoniousness on the piano.

Try to maintain a relaxed mental attitude toward you analyze of piano, and an unfastened head about new thoughts that almost always turn up while you're experiementing with your sketches.

Above all, don't lock yourself into one manner of thinking. After a certain point, a piece may have got its ain thoughts about the manner it should deveop; don't seek to coerce it into a cooky mold!

Let it turn and breathe.

Copyright 2005 raw Productions

It has often been quoted that the 10th best poker player in the world would lose money if she played only with the 9 better players.

What many online poker players do not realise is that this quote is not only very relevant to them, but ignoring this vital point can actually cost money!!

Table Selection in online poker is as important a skill as selecting which hands to play. After all, the profit in poker comes from opponents making mistakes - it really pays to find the tables with the weakest opponents, whatever game and limits you play at. Below are 5 key tips that will help you select the right tables:

Online Poker Table Selection Tip #1

Most online poker sites display statistics on the percentage of players who see each flop in their main lobby area. Look for the tables with the highest percentage, 35%+ is a good rule of thumb. Strong players see less flops - so this is a good indicator of weaker opponents.

Online Poker Table Selection Tip #2

Average pot size is also displayed by online poker rooms. Here we are looking for a larger pot size. This indicates that you are more likely to get 'paid off' when you hit a big hand. A combination of #1 and #2, large pots with a large percentage of players seeing the flop, is ideal.

Online Poker Table Selection Tip #3

Once you have identified some target tables look at the stack sizes of opponents already seated. If there are more than 2 'short-stacks' (between 10 and 20 big blinds only) it may be worth looking for another table. Short stacks can make playing post-flop difficult and will tend to make the larger stacks tighten up when they are involved in a hand - since your objective is to take the big stack's money you do not want this to happen!

Online Poker Table Selection Tip #4

Keep a 'Buddy List', when you see particularly bad opponents add them to your buddy list (where your poker room supports this). You can then search for buddies before selecting a table and make sure that you sit down with the very worst opponents.

Online Poker Table Selection Tip #5

Take notes and act on them! Make notes not only on your opponents starting hands, look for how they play drawing hands (such as straights and flushes) and small pairs. Once you have a good number of notes at a particular site you can use these to help you select the best table. For example if you have a note that a player is very loose pre-flop then you should be more willing to take a seat to his left than one to his right.

GL at the Tables,

Mark

How To Construct Basic Chords on the Piano

The easiest manner to start learning how to construct chords is to drill their buildings in the cardinal of Degree Centigrade Major. You're just playing all achromatic keys.

All you have got to make is play every other achromatic key to make a 3-note chord. A 3-note chord is called a triad. A 4-note chord is called a 7th chord. And a 5-note chord is called a 9th chord.

Now you have got the option of playing your chords in one manus or you may utilize both hands! It depends upon the sound you desire to produce.

How to Improvise Melodies

There's something resistless about a existent melody. If you can convert the hearer that they're hearing a tune when you improvise, they will remain riveted to every note.

Well, you can - and it's not really that difficult. The 1 component that is common to almost all good tunes is: repetition.

To your success,

Mr. Ron
http://www.mrronsmusic.com

Repetition. Repeat and more than repetition. I'm referring specifically to the repeat of thoughts (motifs, as they are often called). Sometimes the thought is repeated exactly as it occurred the first time, as in the Vacation melody "Jingle Bells."

More often, the motif happens higher or less than it did originally. The short letters are different but the beat and the form of the line stay intact, as in "Happy Birthday." This type of repeat can be defined as "pitch-shifting."

What I'm describing here is a procedure often called motific development: the whirling out of thoughts through the usage of repetition, pitch-shifting, and extension.

So that's it... if you desire your improvisations or solos to sound like a melody, you necessitate to utilize a batch of repetition.

Ironically many instrumentalists avoid using repeat for fearfulness of sounding repetitious, i.e., boring. You tire a hearer if you seek to elicit the same emotional reaction from him/her 2 or three times in a row, but that's not what you're doing when you reiterate an idea.

When you first present an idea, it's new. The hearer waits with unfastened expectancy to hear how the thought spins around itself out. But when you reiterate the idea, their reaction is very different. Now they can derive a certain sense of control, by connecting what they're hearing to what went before.

Just listen to some of your favourite songs, and you will definitely hear repetition!

Slot machines are found in every online casino, whether land based or online. They are one of the most prolific games around and come in many shapes and forms, all which invite exciting play and nerve-tingling action.

Although all different, they have many features in common and are all based upon one distinct set of rules and theme which utilmately governs the way they work and how they pay out.

Here we'll look at some of the terms used to describe slot machines and the features they offer the average slot machine player. It's often the terminology that puts players off taking part but there really is nothing difficult about playing and once you've tried a few machines, you'll find that they're all basically the same.

The number of reels - These are the number of different sections of the game the spin or move after you've pressed start. Each reel has a seletion of images displayed on them and when the reels stop moving, combinations of the images on display denote whether the spin has been successful, a winner, or not. Most machines offer between 3 and 9 different reels with 3 or 5 being the most usual.

The number of paylines - The paylines are the imaginary lines which cross the reels from one side to the other, either in a straight line or on another set track. The larger machines that offer up to 20 paylines have various tracks that run through the reels and should the correct images follow the track then, again, this would denote a wining line. You can select to play one or more paylines.

The tem jackpot pretty much speaks for itself. The jackpot is the best combination of images possible across the paylines and thus pays out the highest amount. Jackpot amounts are often only paid out when all paylines are being played.

Another slots jackpot that you'll come across is the progressive jackpot. Games that offer progressives contribute a certain amount of money per spin into a pot of money. When the jackpot is hit then the entire pot built up to that point is paid out.

Free spins are another feature of slot machines that are easy to explain. When a certain event is met or the correct combination of images is displayed across the paylines then the free spins feature would be activated. This allows the player a number of free spins that don't cost anything to take place and any winnings are paid out to the player without the need to add more money to the machine.

Scatter symbols are the images that trigger a certain event. In the most case, these would trigger the free spins feature or the slot machine bonus game.

If a wild symbol appears anywhere across the slot machine paylines, it is automatically used as a substitute for any other symbol available if if can help the player achieve a winning combination.

Bonus games are found on many of the video slot machines, both on and offline. Bonus slot games are triggered when a specific winning combination appears on the payline and these games range from a basic pick an object on the screen to receive a mystery prize to a full blown arcade game where blasting the bad guys wins you cash.

Rarely is a chord played with its tones contained in a single octave, the root on the bottom, the third in the middle, and the fifth on the top.

Usually chords are "voiced!"

This basically means that the positions of a chord's tones are scattered over the keyboard. The tones may be altered, doubled, added to, missing, and so forth.

There are a great variety of possibilities available in voicing chords. Voicing chords properly is an art within itself. Using the correct voicing techniques in your playing will give your improvisation a "hip," mature and full sound. Chords played in root position just does not seem to do the job when playing Jazz, Rock, Pop, Blues, Gospel and "Smooth Jazz" piano.

Learning and mastering good voice leading techniques in your playing is not difficult if you just follow some simple rules.

1. The most important notes in any chord is the 3rd and the 7th. The 3rd of the chord defines whether the chord is a major or minor chord. The 7th of the chord will define whether the chord is a dominant or major chord. Usually the bass player will play the root and fifth. The root and fifth are not essential tones and can be completely left our from your chord
progressions. If you must use the root and fifth try using it in your right hand, not your left. You should add your "color" tones in your right hand.

2. When you are taking a solo and not "comping" (accompanying) for another soloist you should play your chord voicings in your left hand, so that the right hand can be free to improvise, do fills, double the left hand, add extensions, etc.

3. The range of your voicings is also very important. A good rule of thumb to remember when voicing your chords, is to always try to voice your chords around middle C. Keeping your voicings around middle C will sound full and clear. Limits of approximately an octave above or below will assure best results by preventing the voicing from assuming a quality of thinness or muddiness.

Blackjack is one of the most popular casino games after slot machines. As the purpose of the game is to acquire the sum of money of the cards as stopping point to 21 , as possible, without exceeding the number. It is often referred as ‘21’.

Every gambler is dealt with two cards, including the trader himself. While the gambler’s card face up, the trader have one card facing down, that is hidden from others. The trader have to cover himself cards until his manus at least bes seventeen. The others take to take a card depending upon their total, else they can simply ‘pass’. Aces can be assigned the value 1 or 11 depending on the player. A manus that have a sum exceeding twenty one is called a “bust” and is a loosing hand. Other nomenclatures in the game include the conception of hit, stand, soft hand, difficult hand, betting circle.

The player places their bets in the betting circle with the aid of chips. As soon as all the players have got made their stakes the play begins. An ideal blackjack manus brings the gambler 1 and a one-half times the stake amount.

Blackjack is a gamble and one demands to be experienced to beat the odds. One of the ways to larn this table game would be to help free blackjack lessons provided by the casinos. This also assists the novitiate to acquire comfortable with the environment and habitual to the non verbal communicating involved in the game. Some software system also supply lessons and schemes on playing Blackjack. Information and betting schemes can also be shared over the cyberspace through confabulate rooms, weblogs and other means.

The game affects three is to two likelihood ratio. The numerous tables in the casinos also have got a less limit. The novices are usually advised to maintain in head the likelihood and play at low betting limits. The players necessitate to be aware of their betting bounds and the amount of loss that they can suffer.

Blackjack is based on mathematical probability. Some experts have got devised certain composite matrices that aid in suggesting some strategically safe stakes in a game.

Blackjack is gaining popularity nowadays. New characteristics are continuously added to the game, to maintain up with its growing popularity. Some celebrated fluctuations of the traditional blackjack include Divide and Rhenium split blackjack, Spanish 21, and Double Exposure Blackjack. There are also weekly tournaments organized by some casinos. The game is not only confined to casinos, but the telecasting webs are now organizing high profile blackjack tournaments, like the World Series of Blackjack. “Million Dollar Blackjack Tournament” is one of the most celebrated series, and is sponsored by the Las Vegas Hilton.

The cyberspace, not to be left behind, have assorted online blackjack games.

Blackjack have the best likelihood among all the casino games. The skilled casino players cognize assorted schemes that give them an border over others, like card counting, shuffling tracking and progressive betting. The experts also cipher their schemes with the aid of betting matrices, additional lowering the risk. Watchfulness and experience are two of import ingredients that tin aid you to go an expert.

If you are drawn on to the thrills and excitements of life, you can find it in bounties on the Internet. For the thrill seekers, there are ample online gambling websites that are flourishing and are ever ready to provide you with fun and excitement on the Internet.

Online gambling basically means you can gamble on Internet to earn money. The most popular online gambling games include games like online casinos, online sports betting (such as fantasy football), online poker, online bingo, online roulette. You name it and you have it on the Internet. And they are such a fun to be played. And if you get lucky and earn money on it, then you feel like coming back and playing it again and again.

There are various paid websites that wholly cater to online gambling and there are others as well that give you the provision of the free registration. You can easily locate these websites in one of your search engines to find some of the best online gambling websites.

You can also win bonuses with some of these deals that can turn out to be highly profitable as well. However you ought to be prudent enough as not to put a fortune at stake in such kind of websites. These should be used for either fun or recreational business and you can get a better benefit of these websites.

Online Gambling should also be done with utmost care and precautions. You must acquaint yourself about the laws of your country before you get yourself registered into any of these online gambling websites. As some countries are really strict as far as the online gambling is concerned and it is banned in many countries as well.

So, indulge in the fun provided by these online gambling websites and make the best use of it.

Texas Holdem is very complex game with many nuances. Our online gambling recommendationssuggest the key is to be assertive especially in No Limit Holdem where frequently the player who bets initially wins the pot because many times nobody has any strength to their hand so it becomes tough to call a enormous bet with even top pair after the flop. They may believe their kicker is not good enough or maybe they are up against two pair or a set. There are times to be more wary such as when there are many players in the hand. When you are up against a few opponents, the expectation of you winning the hand decrease a large degree. Also, don't bet too strong with say J-J or 10-10 if a two overcards appear on the flop. Remember to:

1) Be domineering. Remember the most domineering player wins more hands. Raising or folding are often better strategies than calling. Many gambling online resources talk about playing your hand but the top players will tell you "get your money in" first.

2) Be aware of your opponents and their playing style. One of the most effective keys to how to make money gambling online is to keep a record of your opponents (something you really can't do in a bricks and mortar card room). If somebody is always calling, don't bet into these people with the idea of bluffing. If a very conservative player re-raises you, muck your cards. 3) Be unpredictable. Don't raise the same number of chips all the time. Raise it up 4 times the big blind with K-Q on one hand and then raise it up just 2 times the big blind with AA. When you do this your opponents will have a distressing time determining your hole cards.

Against the popular belief, gambling did not originate in the US. Most of the popular gambling games played in the American casinos have their origin in various foreign locales.

Heritage of gambling is somehow related to the Chinese culture. Chinese culture has been the home of numerous gambling games. Keno, a popular Chinese game is one of the original forms of the lottery games. Keno has evolved over thousands of years and is now played in played in various diluted versions in hundreds of casinos around the globe.

Another ancient Chinese game to have attained popularity has been Pai Gow. Pai Gow Pokr is the Americanized and hybridized version of the original game, it blends in the game of Pai Gow with certain elements of poker, to produce an interesting and simple game, loved by people around the globe and played in numerous casinos. However many critics, quite do not like the new version and banish it for being a too simplistic take on the otherwise “beautiful and complex” game from ancient Chinese culture.

China is not the only country to have contributed to the world of gambling, a number of European games have also made it to the league of popular games in the world of casinos. Games like Craps, Baccarat, Roulette and Black jack, all have roots in parts of Europe. Craps has its roots in the rich heritage of dice throwing games that have been around for a long time.

The game of blackjack also originated in the lap of Europe in Italy and France. While Baccarat catered mainly to the rich, Blackjack was popular amongst the masses. Till date Baccarat tables are reserved in the high roller areas of casinos, while the common people may get a taste of it at smaller tables called the Mini Baccarat tables.

Besides these games other popular betting sports include the spectator sports like thorough bred horse racing. It was developed into the modern sport in England during the 17oo’s. Later the game traveled to the US, with the early british settlers, however the traditions of the game remained relatively unchanged.

Another, relatively uncommon spectator sport is the game of Jai Alai The game because of its speed and relative brevity has become a unique gambling sport. Florida remains the center of the game.

Amongst the latest addition to the list of gambling concepts is internet gambling. Although the history of internet is not really long but even in the short period the relatively novel concept of online gambling market has served up a challenge to the traditional laws of communication in still unexplored ways.

Offshore online gaming casinos have mushroomed in recent years. Not only can the players play poker, blackjack online but also the game of slots can now be played online, in the line of video arcading.

Unhurried and uninterrupted betting is what gets the gamblers looking for a non threatening and private gaming experience to these sites.

However, offshore gambling has resulted in a maze of suggested legislations and arguments between people for and against gambling online. The major concern is
The lack of regulations for these online gambling sites, which but keep the land based casinos in line with the law.

Is it time to shovel dirt on them?

I know it's the first week in May, and I know the New York Yankees began the 2006 season 11-19 before rallying to their millionth consecutive AL East crown. But even the most rose-colored-glasses-wearing Yankee fan has to admit at this point that 2007 is shaping up a little different.

I mean, Mike Mussina and Chien-Ming Wang hurt their hamstrings the first week of the season and basically miss April. Mariano Rivera blows his first two save chances, and ends April with exactly one save. Kei Igawa is a disaster, and Carl Pavano is a wimp. Jeff Karstens gets drilled by a line drive against the Red Sox and fractures his leg. Hideki Matsui and Johnny Damon can't stay healthy.

And now Philip Hughes, their bonus baby wunderkind who can't miss, gets called up to fill in for the decimated rotation, pitches over six innings of no-hit ball against Texas, and then pulls a hamstring. This rookie literally had to leave a no-hitter because he hurt himself, and now will miss more than a month with his own bad hammy.

Don't get me wrong: this is still an unbelievably fearsome lineup, the best in baseball. They're going to score an ungodly number of runs. But will the team be able to get anyone out? Do they really think this ragtag band of 80-year-olds and 25-year-olds with 80-year-old body parts is going to make it through a full year, or that the six-inning maestro Roger Clemens is going to cure all that ails them? The Hughes injury is especially brutal because this kid was the embodiment of hope. I know he'll be back at the All-Star Break at the latest, and that in the long term having the temptation of pitching Hughes all year removed is probably the best thing for the kid. But still, he's a walking metaphor.

Listen, New York won't finish last. I'm just no longer 100% convinced they're finishing first, either.

Which teams were you most impressed by in the NFL Draft this weekend? And who hurt themselves the most with how they picked?

BoDog Bookmakers, BoDog.com: The Browns passed on Brady Quinn in the #3 spot only to trade next year's pick to Dallas for the right to take Quinn at #22. This also saves the Browns $33 million in guarantees that Quinn would have been due. Joe Thomas was the best offensive lineman in the country and will provide top-notch blocking to Quinn and recently-acquired Jamal Lewis. The Raiders made a nice pick in the fourth round by selecting Michael Bush. Bush might be the steal of the draft if he adequately recovers from his broken leg. The Dolphins made a surprising move by selecting Ted Ginn Jr. Sure, he's an exciting player, but when they had so many more glaring needs it makes you wonder what some GMs are thinking. With all that said, the New England Patriots are the big winners so far in this year's off-season, simply based on the moves they made.

What do you think of Randy Moss going to the Patriots? Does this make New England an even stronger wager to head to the Super Bowl in 2008, or will Moss flame out?

BDB, BoDog.com: It goes without saying Randy Moss can be the best receiver in the game when he's motivated. Moss plays better when his team is winning, which is a catch-22 because his recent teams couldn't win unless he was playing well. This is the perfect situation for him to come back at re-establish himself as the league's best WR. It's unlikely that Belichick and Brady will take any sulking from Moss, and I predict we will see a Cory-Dillon-like turnaround in Moss's attitude, where Randy just comes to work and puts up big numbers. The change is already apparent, with Moss agreeing to renegotiate his contract to come to the Patriots. Hey, Tom Brady was one drive away from the Super Bowl last year and he did it without a 1,000-yard receiver. The Pats have bolstered their receiving crew to the point where Brady could and should have multiple 1,000-yarders in the 2007 season.

The first Saturday in May is approaching. Can you give us a quick rundown of your personal favorites for the Kentucky Derby?

BDB, BoDog.com: My personal favorite is Street Sense. I think this is the year where history is made with Street Sense winning both the Breeders Cup Juvenile back in November and the Kentucky Derby on May 5th. Although he came in second in the Blue Grass Stakes, this horse is worth his Eclipse Award. Curlin, most likely to go off as the post time favorite, is also among my top picks. He's the only horse who's currently unbeaten, but with only three lifetime starts, and no two-year-old races under his belt, I'm not totally convinced this horse can win the big race. I think Nobiz Like Shobiz has a chance if he can keep his cool. Although he had new equipment his last prep, he was able to pull out the win.

The Bulls sweeping the Heat out of the playoffs certainly caught me by surprise. Do you think Chicago is a better-than-even bet now to make it to the NBA Finals? How would they fare against the Pistons?

BDB, BoDog.com: The sweep was definitely unexpected, but the Bulls taking the series wasn't a huge surprise to me. Wade was less than extraordinary after returning from his shoulder injury. The Bulls are a good team and with their combination of shooters, Ben Wallace playing well inside and Luol Deng's coming-out party this year, they stand a better chance of beating the Pistons than their Eastern Conference counterparts. Coach Skiles has his team playing their best, and as a result they're definitely a good pick to come out of the East.

Most of us carry childhood traumas made acute with the rise in child psychology. This has resulted in us trying to become the friends of our children, but not just that. We try to do everything for them under the excuse that our parents did not do these things for us. But is this the right way to bring up our children.

What is the Butterfly System?

Fact:


Most know that the butterfly is a transformation of a caterpillar which itself comes from an egg. But, did you know that for the caterpillar to become a butterfly it has to form a cocoon. When it turns into a butterfly, it has to struggle to open the cocoon, and it takes them hours to manage to break that open. Once they do, they emerge, spread their wings and fly off.

Hypothesis:


If you try and cut open the cocoon to help the butterfly emerge, you will destroy it. It will be too weak to fly. So, even if you put it in front of you and even if its in your power to cut the cocoon open, you won't because you are thinking about the best interests of the butterfly.

Lesson:


Just like you would leave the butterfly trapped inside the cocoon, you have to learn how to let your children fight through life by themselves. Yes, at first, they will not succeed, and may even fail badly. You will want to help them. You might even know how to help them. But, please, do not!

The Toughest Part:


The lesson is easily understood, but it is very difficult to start acting like that. We, as parents, have to realize that our duty is not to have fun with them or to ensure that they succeed, but to guide them so that they learn how to succeed.

Lessons for the Future:


We have to start goading our kids to success. Yes, we all love it when our kids do well, but its more important that they learn how to succeed even if that means that they fail again and again. Sometimes, the kids do well. That is great, but again, we have to watch how they do it. If they cheat, its our duty to guide them.

This might seem trivial, but how many times have you helped your child do his or her homework or class project just so that they will get a good grade. Is that what parenting is all about? Good grades and tons of awards in the closet? No!

Remember that if your children do not learn how to succeed when they are young, they will not pick it up as they grow older.

What to Remember:


Answer the following for me: Do you want your child to do well now? Or do you want your child to succeed when he grows up? Remember that you have to choose one. If you are lucky you might get both, but what I am saying is that you have to focus your parenting on one goal only.

When you think about Roulette, you might think of James Bond placing bets according to decisions of a beautiful woman who's 'lucky'. But can it really be that random? And is it as easy to play online as it is in casino in Monte Carlo?

The word Roulette means 'small wheel' in French. The outcome of each round of Roulette is indeed decided by the ball landing in one of 38 holes (American version), which are positioned around the edge of this wheel. These holes are numbered 1 to 36, with a 0 at one end and a 00 at the other. The basic betting consists of placing any number of chips against one of these numbers. If it lands on your number, you win 35 chips for every chip you have bet (called 35:1 payout).

Chances Are…


It is important to note that there is the same 1-in-38 chance at each spin of the wheel – the chances of the ball landing in a given hole are not increased by it not having landed there all evening. That is known as the 'gambler's fallacy' and is a common though understandable error that people make when playing games of chance, such as dice games. 'I haven't had a six for twenty rolls so there must be one coming up…' Wrong: the dice doesn't 'know' what happened over the last twenty rolls – so it can't affect what happens this roll. Same with the Roulette wheel.

Placing Bets in Roulette


It follows that placing your bets is not an exercise in anticipating what may come up. The spread of your bets across the table is like a net, sitting there waiting to capture one of the numbers when it comes up. It would therefore be a perfectly respectable strategy to leave your bets on the same numbers for every spin of the wheel, and wait to see how often those numbers come up. For this reason, many experienced players have their own sets of 'lucky' or preferred numbers, which they largely stick to with some variation.

If the betting simply consisted of individual numbers, it would be that simple. But there are also various other outcomes you can bet on, which are more probable than a single number coming up – but carry correspondingly lower winnings.

The simplest options carry a better chance and therefore 1:1 payout – meaning you get one chip back for each one bet. These are to bet on one of the two colors the numbers are divided into, which are red or black; to bet on an odd or even number coming up; or to bet on a number in either the upper or lower half (1-18 or 19-36). Below the grid of numbers on the Roulette table, there are areas of the table that represent these options.

Above these sections, there are areas where you can bet on the lower, middle or upper third of the number range coming up. Because there are 36 numbers in total, these are called the first twelve (1-12), second twelve (13-24) and third twelve (25-36). These areas of the board carry 2:1 payouts, meaning you get two chips back for every one you bet. It is also possible to achieve 2:1 payouts by betting one of the three columns in which the numbers are organized on the table. You do this by placing your bet in a space at the end of the row you have chosen.

That, unfortunately, is the end of the simple part. From now on, it gets more complicated.

The remaining ways of betting are by selecting combinations of numbers. You divide the single-number payout by the number of numbers in your combination. If you recall the payouts for one number are 35:1, then the payouts for a two-number combination will be 17:1, for three numbers 11:1, for four numbers 8:1, or 6:1 for five numbers.

Due to the configuration of the roulette table, you cannot bet on any combination of numbers. They have to be adjacent for a two number bet, in which case your chips are placed straddling the two numbers; in a row across the table for a three number bet, in which case your chips are placed at the end of the row; in a square for a four number bet, in which case your chips are placed in the centre of the square. A five number bet has to involve either the 0 or the 00. It is a bet than 00, 0, 1, 2 or 3 will come up and is wagered by placing your chips at the end of the line dividing 0 and 00 from the squares marked 1, 2 and 3.

Online Roulette


That's it! Online roulette follows the same rules except you control your bets with a mouse and there is a virtual wheel that generates a number randomly. Why not try your hand? There are a hundreds of online casinos these days, so your only problem might be which one to choose. The link at the beginning provides a directory of the best ones. Good luck!