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Rarely is a chord played with its tones of voice of voice contained in a single octave, the root on the bottom, the 3rd in the middle, and the 5th on the top.

Usually chords are "voiced!"

This basically intends that the places of a chord's tones are scattered over the keyboard. The tones of voice may be altered, doubled, added to, missing, and so forth.

There are a great assortment of possibilities available in voicing chords. Voicing chords properly is an fine art within itself. Using the right voicing techniques in your playing will give your improvisation a "hip," mature and full sound. Chords played in root place just makes not look to make the occupation when playing Jazz, Rock, Pop, Blues, Gospels and "Smooth Jazz" piano.

Learning and mastering good voice leading techniques in your playing is not hard if you just follow some simple rules.

1. The most of import short letters in any chord is the 3rd and the 7th. The 3rd of the chord defines whether the chord is a major or minor chord. The 7th of the chord will define whether the chord is a dominant or major chord. Usually the bass player will play the root and fifth. The root and 5th are not indispensable tones of voice and can be completely left our from your chord
progressions. If you must utilize the root and 5th attempt using it in your right hand, not your left. You should add your "color" tones of voice in your right hand.

2. When you are taking a solo and not "comping" (accompanying) for another soloist you should play your chord voicings in your left hand, so that the right manus can be free to improvise, make fills, dual the left hand, add extensions, etc.

3. The scope of your voicings is also very important. A good rule of pollex to retrieve when voicing your chords, is to always seek to voice your chords around center C. Keeping your voicings around center Degree Centigrade will sound full and clear. Limits of approximately an octave above or below volition guarantee best results by preventing the voicing from assuming a quality of tenuity or muddiness.