My Black jack code

Between 603 and 702 AD. a truly fantastic temple was built by the Mayan people to honor a non-Mayan, non-Indian man. The firsthand business relationship of Alberto Ruz from 'Eyewitness to Discovery' follows in part, as it was printed in ‘Illustrated Greater London News':

Four enchantments of work--each two and a one-half calendar months long--were required before we were able to unclutter the filling from this cryptic staircase. {It have an of import snake figure on the walls all the manner down.} After a flight of forty-five steps, we reached a landing with a U-turn. There followed another flight, of twenty-one steps, leading to a corridor, whose degree is more than or less the same as that on which the pyramid was built--i.e., some 22 meters under the temple flooring. In the overreaching of the landing two narrow galleries unfastened out and let air and a small visible light to come in from a near-by courtyard.

Above one of the first stairway we reached we establish a box-shaped construction of masonry containing a modest offering: two ear-plugs of jadestone placed on a river stone painted reddish {The coloring material of ocher and cinnabar that we have got seen denotes Negro spiritual things in the beginning of procedures that adepthoods of the world are seen involved with.} On reaching the end of the flight of stairway we establish another box of offerings, backing on to a wall which blocked the passage. This time it was a richer offering: three clayware dishes, two shells full of cinnabar, seven jadestone beads, a brace of round ear-plugs also of jade, the stoppers of which were shaped like a flower, and a beautiful tear-shaped pearl, with its 'lustre' pretty well preserved. An offering of this kind, at such as a depth, told us without any uncertainty that we were approaching the physical object of our search.

And, in fact, on July 13, 1952, after demolishing a solid obstructor some meters thick, made of stone and lime--this was very difficult and the wet calcium hydroxide burned the hands of the workmen--there appeared on one side of the corridor a triangular slab, 2 meters high, put vertically to barricade an entrance. At the ft of this slab, in a fundamental stone cut, there lay, amalgamated together, the largely destroyed skeletal systems of six immature persons, of whom one at least was a female.

At twelve noon on the 15th of the same calendar month we opened the entrance, displacing the stone enough for a adult male to go through through sideways. It was a minute of indescribable emotion for me when I slipped behind the stone and establish myself in an tremendous crypt which seemed to have got been cut out of the rock--or rather, out of the ice, thanks to the drape of stalactites and the chalcite veiling deposited on the walls by the infiltration of rain-water during the centuries. This increased the marvellous quality of the spectacle and gave it a fairy-tale aspect. Great figs of priests modelled in stucco a small bigger than life-size perhaps just 'giants’. formed an impressive procession unit of ammunition the walls. The high overreaching was reinforced by great stone transoms, of dark coloring material with yellowish veins, giving an feeling of polished wood.

Almost the whole crypt was occupied by a colossal monument, which we then supposed to be a ceremonial altar, composed of a stone of more than than 8 foursquare metres, resting on an tremendous monolith of 6 three-dimensional metres, supported in its bend by six great blocks of chiselled stone. All these elements carried beautiful reliefs.

Finest of all for its unsurpassable executing and perfect state of saving was the great stone covering the whole and bearing on its four sides some hieroglyphic letterings with 13 abbreviated days of the month corresponding to the beginning of the 7th century A.D., piece its upper face shows a symbolical scene surrounded by astronomical signs.

I believed that I had establish a ceremonial crypt, but I did not wish to do any definite averments before I had finished exploring the chamber and, above all, before I had establish out whether the alkali of the supposed communion table was solid or not. On business relationship of the rainfalls and the draining of the finances available for this form of the exploration, we had to wait until November before returning to Palenque… Iodine then had the alkali bored horizontally at two of the corners, and it was not long before one of the electric drills reached a hollow space. I introduced a wire through the narrow aperture and, on withdrawing it, I saw that that some atoms of reddish paint were adhering to it… This coloring material was associated in the Mayan and Aztec cosmology with the East...

{This is true of the gateway arch at Tiahuanaco where they speak of the reddish lands to the east that went under the water. It likely associates to what is now establish off the seashore of Republic Of Cuba at the 2200 ft depth.}

Once the stone left its seats and began to lift it could be seen that a pit had been cut out of the tremendous block which served it as a base. This pit was of an unexpected shape, oblong and curvilinear, rather like the silhouette in schematised word form of a fish or of the working capital missive Z {Which we have got seen regarding Teilhardism. Could this have got been a adult male like Count Vlad of the Christian Dragon crusaders? Could it be the forerunner of the Jesuit/Illuminati cognition including Teilhard?}, closed in its less part. {My Stele inside information how at Chichen Itza Iodine was able to see the Grecian alphabet and what I believe was the Cara-Maya alphabet as well as mathematical, astrological and other symbols. I was threatened with being thrown in a Mexican jailhouse and coerced to subscribe away my legal protection as a U.S. occupant and Canadian citizen. This stele is not on the tour and was painted over the 2nd time I was there. It was painted over more than than once and hard to photograph. The work of Churchward states the Grecian alphabet [this was an early alphabet] tells the story of the devastation of Mu. The Mayan people cognize that is their origin. But the Grecian and Mu tie-in May have got something to make with Troy three which was named Aa-Mu. This sort of information would be sensitive to a batch of people. The Mexicans were negotiating [roadblocks and regular army louts with guns all over] with the Mayans in Chiapas at the time.} The pit was sealed by a highly polished slab adjustment exactly and provided with four perforations, each with a stone plug. On raising the slab which closed it we discovered the morgue receptacle…

In the vermillion-coloured walls and alkali of the pit which served as a coffin, the sight of the human remains--complete, although the castanets were damaged--covered with jadestone gems for the most part, was most impressive. It was possible to justice the word form of the organic structure which had been laid in this 'tailored' sarcophagus; and the gems added a certain amount of life {There were probably metallic element knives and a staff which came from something other than the meteorites the Mayans made knives from. The Mayans weren’t encouraged by the Mexicans to take pridefulness in their heritage. There was a time when they were even saying there were no Mayans left, as they tried to do it go the truth}, both from the light of the jadestone and because they were so well 'placed' and because their word form suggested the volume and contour of the flesh which originally covered the skeleton. It was easy also to conceive of the high rank of the personage who could aim to a mausoleum of such as impressive richness.

We were struck by his stature, greater than that of the norm Mayan of today; and by the fact that his dentition were not filed or provided with incrustations of pyrites or jade, since that pattern (like that of artificially deforming the cranium) was usual in people of higher societal ranks. The state of devastation of the skull did not let us to set up precisely whether or not it had been deformed. In the end, we decided that the personage might have got been of non-Mayan origin {N.B.}, though it is clear that he ended in being one of the kings of Palenque. The reliefs, which we have got still to bring out on the sides of the sarcophagus and which are now hidden under lateral pass buttresses, may state us before long something of the personality and personal identity of the glorious dead.

Even if he had not been buried in the most extraordinary grave so far discovered in this continent of America, it would still be perfectly possible to measure the importance of this personage from the gems which he wore--many of them already familiar in Mayan bas-reliefs {Therefore some not?} As shown in some reliefs, he was wearing a crown made from bantam discs of jadestone and his hair was divided into separate strands by agency of little jadestone tubings of appropriate shape; and we discovered a little jadestone plate of extraordinary quality cut in the form of the caput of Zotz, the lamia God of the underworld, and this may have got been a concluding portion of the crown {Elsewhere reported as portion of a necklace, by others.}. Around the cervix were seeable assorted togs of a neckband composed of jadestone string of string of beads in many forms--spheres, cylinders, tri-lobed beads, flowered buds, unfastened flowers, pumpkins, melons, and a snake's caput (Chanes and Dragons}. The ear-plugs were composed of assorted elements, which together made up a funny flower.

The amount of jadestone and the significance of each thing on the necklace or the crouched adult male on the ring of jadestone are all jammed with meaning. You could state that each of the insignia represented a spirit that one of the folks honoured or worked with, you could conceive of they are like Male Child Lookout badges, and you could state they are just decoration. The jadestone and greenish vitreole is an interesting connexion that mightiness do me believe of geopolymerization, but I doubt it was tested for that possibility. The crouched adult male is a place of many honored Kelts when buried.

The ear stoppers of particular flower designing reminds me of the Indian lotus chakra and the place where the 'Third Eye' rests inside the brain. Perhaps the energy of the crystals and stone were created to accentuate certain energy or direct it into specific forms. Maybe I am just guessing too much; but symbols always intend something. At his feet were jadestone string of beads so big as to be hollowed and they had a flower plug. Kukulcan/Quetzacoatl directed the indigens to give flowers rather than people in the centuries that followed. It would surprise me if this individual was not one of the heritage of those mythic hard roes who came and went throughout the Americas. I believe they acted like Ovates of the Druidic or Bardic Tradition from the Hagiographa I've seen.

It is entirely likely that they and their households were to go the Toltecs. They were most sought after as couple among the assorted people. Ruz pulls a batch of inferential connexions to the Egyptian symbology and practices. I hold with some but also reiterate imitations of pyramids that house graves in United States makes not do El Giza Pyramids into funerary tombs. Here also is a 'Tree of Life' and a Cross that is portion of many belief systems throughout the world. It amazes me to hear the people state things like there is no cultural impact from other continents on the Americas when I read things like this; perhaps I utilize too much intuition or common sense and would have got learned the mistake of my ways if I had go an archaeologist.

"The presence here, in a burial chamber slab, of motivations which are repeated in other mental representations gives perhaps the cardinal to construe the celebrated panels of the Cross and the foliated Cross (in Palenque) and also some of the pictures in the codices. On the stone in inquiry we see a adult male surrounded by astronomical marks symbolizing heaven--the spatial bounds of man's earth... But above the adult male rises the well-known cruciate motif, which in some mental representations is a tree, in others the stylised corn {Like in Rosslyn Palace of the Knight Templar Stewarts.} plant, but it is always the symbol of life resurgent from the earth, life triumphing over death." (2)

'Astronomical' should be astrological, in my mind. The Mayan (and Peruvian) ability to prophesize is legendary. They correctly knew the many key catastrophes of their history well in advance. The planet Venus plays a cardinal function in their calendrical sky watching. There are many ways to describe on these things, but I inquire again; why not include other theories and related to facts. When he wrote this he might have got known about the Hopewell/Adena hill detergent builders that many archeologists see a human relationship with. The snake that rises up the stairway at a specific twenty-four hours each twelvemonth through the shadows of a building and placement so exact, might be of interest. The placement of all Mayan temples on a centre point theory tied in to the Earth energy power system could have got been connected to the crystal ear stopper receivers.

There, I travel again! Just a batch of 'possibilities', but where are the facts? It was good that he drew connexions to Arab Republic Of Egypt and Z could have got a great trade of significance as we said to do a connexion with Greece. In Chichen Itza at the Villas Archaeologique Iodine saw many Grecian or Etruscan statues dated to the appropriate era. The more than recent sculpted faces were totally Mayan/Aztec with the lingua and monstrous overdone features. It is difficult to conceive of that he would not have got been there. It is the place where all the archeologists stayed while uncovering the Mayan civilization at the end of the 19th century. The editor of the book could have got made notational systems about the breaking of the Mayan codification that shows it have a phonetic as well as pictographic language, which wasn't known to Ruz.